“I Want to Play Piano, Dad” – Original Short Poem

I want to play piano, Dad
I want to play piano
My swelling chest
Which knows no rest
It wants to play piano

The keys open my heart, dear Dad
Unlike any else I’ve found
Remedy the pain
The spirit of rain
I want to play piano

There’s a price to learning the magic, Dad
Long, weary nights alone
But my friend is there
Notes in the air
But I’m afraid to play piano

I lost my favorite person, Dad
Now she’s an echo in minor key
In Heaven she sings
Your praises she brings
I should want to play piano

You know I need your help, Dad
But walls were formed to keep you out
My angry heart
Will fall apart
If I don’t learn to play piano

Oh how fragile we are here, Dad
But you already know that, don’t you?
Why else would you sit me down
Tell me you’re proud
And help me learn to play piano?

Visiting Tropes #1 (“Hey, Bandages Are Cool”)

In this series we explore various, popular tropes found in media. This is done by tapping that nifty “random trope” button at tvtropes.org, reading the base material of three results, and throwing our thoughts at the wall to see what sticks.

As we do.

 

“Idiot Ball”

So I’ll give the benefit of the doubt and assume you’ve played the game “Hot Potato,” because if you haven’t I’m sorry, your childhood probably lacked some fundamental aspect of, well, being a child. This trope is like a cognitive game of Hot Potato, except the person who catches the potato forgets to get rid of it. A character who has “caught the idiot ball” is a character who, while normally functioning with a respectable level of intelligence, is experiencing a momentary lap in judgment or decision-making ability. They aren’t idiots on an intrinsic level, they’re just having a bad day.  Maybe they forgot to drink their coffee or something.

This trope is not exclusive to any particular genre, but seems to be utilized rather well in comedy and horror. Comedy is a low-hanging fruit in this example, because stupid is usually funny. If people are making low-caliber, uninspired decisions, the plot tends to write itself around those decisions. Miscommunication creates character drama, slapstick humor goes awry to the point of minor bodily harm, and we see windows into how serious characters might act in otherwise unusual predicaments for them.  Horror, on the other hand, has the advantage of blaming idiocy and bad decisions (like WHY ARE YOU GOING IN THE DARK ALONE, YOU IMBECILE) on fear, anxiety, and all of the other primal things that make our hearts go bump in the night. Bad decisions, such as separating from the group, serve to ramp up the tension and give the audience a sense of immersion because “that’s not what I would have done.”

This trope does suffer from abuse in more serious stories, though. Monologues, for example. Everybody and their mother knows how dangerous monologues can be for an antagonist. The assassin infiltrated the defense grid of the protagonist’s home, took out all the guards, and did it all without being detected? NICE. But then they’ll put the gun to the protag’s head and do…anything besides the obvious course of planting a round in their skull, as they’d planned. Very competent. Until it mattered. They held the Idiot Ball.

 

“Bandaged Face”

Manga and anime love this trope. Off the top of my head, I can think of five anime characters who all wear bandages around their skull, either as an aesthetic, to hide their identity, or because they actually need it on a medicinal level (the latter is almost never the case). Without looking at the examples on tvtropes, you’ve got Dosu, Danzo, and that one random Chunin proctor all from Naruto, Shishio of Rurouni Kenshin, and Eto from Tokyo Ghoul. This trope likely shows up in many video games, too, but I wouldn’t expect it to be all that common in anything Western, even animation.

There’s not much to discuss on the matter of this trope. I myself have written a story where a character had bandages over half their body (including part of the face), and I’ve illustrated a character who wore them across their arm. This trope is relatively popular, and my guess is because it makes for memorable characters in any given cast. Even within each individual narrative, most of the characters around the subject will be jarred or at least make mention of how strange it is for somebody to wear bandages over their faces. From a drawing perspective, bandages make for a gritty, easy clothing piece, what with the overlapping lines and lack of needing to adhere to a tight framework.

They just…look cool, okay?  And they’re almost always accompanied by belts.  Double the fun.

 

“Blind and the Beast”

This trope is almost required to walk hand-in-hand with some sort of arc about finding inner beauty. The premise is simple: one character is blind, another is physically abominable. Usually they are both feeling isolated because of their respective “defects,” but manage to find acceptance in one another, because the blindness eliminates the ability to judge the physically ugly by appearance, allowing them to see the heart within. This leads to a deep friendship, and frequently romance. If that wasn’t obvious by the name’s similarity to Beauty and the Beast.

I’d like to note the looseness of this trope. The individual aspects of each character don’t need to hold to any strict guidelines, like similar age or anything of such nature.  It could be a little girl falling in love with a robot.  Or an old man and a witch.  There’s a wide berth for combinations.

Also, the “Beast” end of the relationship tends to keep their secret under wraps at the beginning of things, either out of habit, or some knee-jerk fear that despite the other being blind (if they’re even aware the other is blind), they think they’ll be rejected. Hey, if you go your entire life being called a freak or a monster, it makes sense to assume the discrimination runs deeper than the surface. But usually the blind character learns the truth, and to the relief of the monster and the audience, continues to accept the Beast for who they are on the inside.

The Puppet Masters (#5 – We, the Failures)

failure_by_anokazue-d4w47o2My last couple of weeks have been delegated to conventions.  First came WorldCon (MidAmericon II) in Kansas City, and then Pax West in Seattle.  While the latter is a predominantly video-game themed convention, it is not without many other elements of fandom.  Among the many panels, tournaments, and exhibitions were a few outliers, such as the indeterminate hour occupied by a panel simply titled “An evening with Patrick Rothfuss.”

Any who know me are familiar with my love for this author in all of his quirky variables. This was my third time seeing him live and he simply never becomes boring.  If you ever get the chance, please dedicate some time from your day to be in his company.  You do not even need to know who he is in order to enjoy yourself.  You can hold me to that claim.

To the point, there was one rabbit hole Rothfuss descended during his panel which caught my attention more than anything else.  I cannot remember what exactly prompted this discussion, but it was during a Q&A.  The subject was about the perception of writing as a hobby versus writing as a profession, and how there is an unfairly strict expectation attached to the relationship between the two.

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The Great, Bearded Badger, Patrick Rothfuss.

Paraphrasing his words: “Writing is really unfair, because it’s the only hobby where, if you don’t make it professionally, you are seen as a failure in the public eye.  Never do you see somebody playing basketball and think they are a loser because they aren’t in the NBA.  Never do you see somebody gardening and think, well, if they aren’t on Home & Gardening, then they clearly didn’t make it.  The gardener is allowed to enjoy gardening because it gives them satisfaction and joy.  But god forbid, if you’re a writer and haven’t published anything, then you’ve wasted your time.”

There is a titanic burden placed on writers (and most creative arts, really) to become published or publically recognized.  Naturally, this is not going to be a common end for most who aspire for it, as not everyone who writes (read: many, many people) will become professionals at the craft.  Why are those people then labelled as failures, when they are doing something they love?  Now of course, if the writer has a deliberate goal of reaching publication and do not reach it, at this point they might be considered having failed at least in that regard.  But writing should not be, as a primary approach, treated like a business.  This isn’t to say it can’t be a business, only that it shouldn’t be business first, creative endeavor second.

I’ve never felt like I was wasting time in my writing.  Even if I never get published, writing has afforded me an outlet for thoughts, emotions and stress which I haven’t been able to get out by any other means.  For that alone, the journey has been worth it.  I do aspire to reach publication one day, for at least one book, but I won’t consider myself a failure if I don’t make a career out of it.  I’ll still continue to write, because I love it.  I may not always like it, per se, but I’ll always love it.

So please, if you write, or paint, or craft in any way that is seen by others as following in a similar social stigma, do not lose heart.  Even if your story never sees the public spotlight, do not believe yourself a failure.  As a whole, we struggle enough with depression and anxiety and self-deprecation as is, so we needn’t pile onto the weapons against us.  To do so is disrespectful to the art, toxic to your soul, and above all, a lie.

God bless and take care.

(If you want to check out Patrick Rothfuss, I suggest beginning with “The Name of the Wind,” the first in a projected series of three novels.  Both it and it’s sequel, “The Wise Man’s Fear,” may be found on Amazon.)

Image provided by Anokazue from Deviantart.
http://www.deviantart.com/art/Failure-295808978

The Puppet Masters (#4 Magic & Sanderson’s Laws)

The-Well-of-AscensionBrandon Sanderson has been bunkered down on the frontlines of the contemporary fantasy and science fiction industry over a decade now.  Between his acclaimed Mistborn and Stormlight Archives series, as well as being selected to complete the late Robert Jordan’s Wheel of Time, Sanderson has consistently proven his ability to create powerful tales of magic and wonder. While Sanderson has been teaching university-level courses on writing contemplative fiction for years now (at BYU, his alma mater), there is one facet of his process which he talks about more than most else.  It is his forte, both self-proclaimed and evidenced by the opinions of fans and critics alike: magic systems.

Sanderson’s ability to build a world is superb, and his utilitarian approach to magic is redefining crowd expectations for the fantasy genre. I should clarify before we continue, ‘magic system’ is a universally accepted, catch-all term for nearly any supernatural or super-scientific element within a story.  A ‘magic system’ is not exclusively about ‘magic.’ Advanced technology, superpowers, and various other forms of otherworldly abilities can all fall under ‘magic’ in this sense, as they are things which transcend natural human power.

Please keep that in mind as we continue.  In addition, many of Sanderson’s lectures can be viewed online. Here is a link to the one which contains most of what we will be discussing.

(Note: Brandon is aware that the names of these laws sound pretentious. They were originally for his own reference and when people started asking him about his rules for making magic, the names just kind of stuck.  It’s kind of an ongoing joke now.)

Sanderson’s First Law:

“Your ability to solve problems with magic in a satisfying way is directly proportional to how well the reader understands said magic.”

Foreshadowing is always important.  Regarding the first law, even more so. If you are going to have a harder magic system (which is to say, one with more rules and limitations), it is important you help the reader understand the parameters of the magic before you start doing crazy things with it. Those crazy things need to be explainable within the context of your magic’s boundaries. If a character has the superhuman ability to lift a maximum of one-thousand pounds and no more, you can’t have them stop a bullet train when it’s about to hit somebody.  The momentum generated by a bullet train would be too great for that limitation to deal with. That breaks the rules of your own magic system and is thus an unsatisfying answer to the problem.

That word ‘satisfying’ is important.  Not only must you be consistent with the science and boundaries of your magic, but you should always strive to be imaginative, too.  There is rarely only one way to solve any given problem.  Be mindful of how your magic can interact with the environment and other characters involved, if any.

Sanderson’s Second Law:

“Flaws are more interesting than powers.”

We aren’t talking about character flaws, but flaws in the magic system itself.  Rather, the specifics of the boundaries and limitations.  Do you have a character who can summon an ancient fire beast to fight at their side?  That’s cool…but what’s the catch?  The catch is usually the best part.  A simple and common answer is that it drains the summoner of energy or vitality, but there are others with more unique answers.

Ask: what is the cost?  Is it economic? Moral? Emotional? Mental?

The author Brent Weeks has a specific element in one of his magic systems which allows for characters to gain immortality. However, and the main character learns this tidbit of information a little too late, but every time you die, your resurrection costs the life of one of the people you love the most.  Or in the Japanese manga, Naruto, the main character has access to a tremendous well of inner power that allows him to conquer most obtacles…but at the cost of going into a berserker-state, breaking down his mind, tearing apart his body, and risking harm to anyone nearby regardless of whether they’re friend or foe.  Such a power as that is not one you want to throw around without immense consideration.

Is the magic needed for travel? Is it needed to keep society moving? If possible, try to make the magic imperative to life in more ways than as a means to destruction.  Far too many series are victim to that tendency.

Also, these boundaries are obviously under your complete jurisdiction, but unless you are going for a certain tone, it’s wise not to go too far off the deep end.  Teleportation is cool, but it’s kind of weird if you can only teleport when standing on one foot.  You can turn into an animal only when you have a marble in your mouth? Saying Hitler’s name three times allows you to turn invisible?

Please don’t be too weird.  Stuff like that is funny for only a brief time and quickly grows old.

Sanderson’s Third Law

“Go deeper into magic, instead of wider.”

Here’s a problem many superhero stories such as X-men fall into.  There are so many powers that none of them get any particular attention, at least not in a timely manner.  Hollywood and amateur writers alike think it is more interesting to have this grandiose arsenal of neat abilities in the cast of characters, but they keep the utility of all these abilities at surface-level.  They have fallen into the misconception that more means better.

But if Sanderson’s success stands for anything, it’s that more certainly does not always mean better.

Sanderson’s 0th Law

“Always err on the side of awesome.”

The name of this one is kind of a trade joke, but the premise is quite simple.  Sure, the boundaries and rules can allow for creativity in your writing and story-crafting, but in the end this is science-fiction and fantasy.  The granddaddy of all laws is that whatever you do, make it cool.  We are operating within a field of writing that has greater access to the manipulation of the universe than any other genre.  If you have an awesome idea and can build your system around that idea to make it feasible, then by all means, make it work.  Don’t force something that isn’t there, but if it’s possible, do your best to bring that awesomeness to life on the page.  You’ll love it, and the readers will probably be just as awed as you were when the idea first crossed your mind.

The Puppet Masters (#3 On Writing)

10569I recently finished my first read of Stephen King’s “On Writing.” I say first, because now that I’ve made one lap I’ve grown convinced this needs to be a part of my annual agenda. Maybe I’ll make it a consistent tradition for my wayward summers. Like I have anything better to do.

Well, I suppose actually writing would be a better thing to do. Hmm.

Anyways, with this installment I’m going to outline a couple of passages or ideas King details in his book. These are only a few of the things which glared out and demanded attention. I promise there were more, but I can’t go and reproduce the entire thing for you. That, my friends, is cheating, and I’d be stealing a wonderful opportunity from you to read these words in their original, glorious context.

First is the concept of “Write with the door closed, rewrite with the door open” and it’s pretty clear-cut.  In short, we are easily distracted during the first draft of a manuscript, not only by environmental stimuli, but our desire to have others read the material.  Resist this urge.  The first draft is for you, it’s so you may explore yourself and your story.  You are trying to fulfill your story and characters as thoroughly as possible alongside yourself.  Only once the first draft is done should the door be thrown open to welcome readers and critics alike.  This is the editing stage.  Exploration is over.  Now it’s just about the grind.

Second, and I am choosing to quote this one directly as I lack the forwardness to extrapolate correctly, is King on the subject of our temperament when approaching the craft of writing:

“You can approach the act of writing with nervousness, excitement, hopefulness, or even despair–the sense that you can never completely put on the page what’s in you mind and heart.  You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names.  You can come to it because you want a girl to marry you or because you want to change the world.  Come to it any way but lightly.  Let me say it again: you must not come lightly to the blank page.

I’m not asking you to come reverently or unquestioningly; I’m not asking you to be politically correct or cast aside your sense of humor.  This isn’t a popularity contest, it’s not the moral Olympics, and it’s not church.  But it’s writing damn it, not washing the car or putting on eyeliner.  If you can take it seriously, we can do business.  If you can’t or won’t, it’s time for you to close the book and do something else.”

Third is a matter of profanity in the craft. Quoting British television’s Downtown Abbey: “Vulgarity is no substitute for wit.” Authors of all walks and moral standings have gone back and forth on the topic of how much (or how aggressive) profanity should be in their works.  If you’ve ever read a King novel or heard him speak, you know this is not a man who shirks away from dropping a couple bombs when he sees fit.  However, when it comes to writing he has a strong philosophy to back his usage of curse words and otherwise derogatory terms.

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Mmm, yes. Quite.

According to his mother, profanity was the “language of the ignorant.”  However, there were holes in her own constitution about this matter.  A sharp stab of pain might prompt an “oh, shit” or what have you.  Likewise, few people have an idle tongue when their kid is about to accidentally hurt themselves or when you drop a huge pot of spaghetti sauce onto the carpet.  Chances are, if only by gut reaction, most people are going to swear when these things happen.

“The Legion of Decency” as King calls it, might not like the word damn, and you might not, either, but sometimes you really aren’t given any other choice?  Why?  Because to use a softer word, in certain contexts, is both dishonest and disrespectful to the intelligence and maturity of your audience.  Slam a hammer on your thumb and you stand a better chance of hurling some choice words than substituting it with “Blast it!”  No.  Few people are going to have so mild a response.  Not that it’s impossible obviously, just not common.  If you substitute “Blast it!” with “Damn it!” because you wish to avoid the wrath of the Legion of Decency, you are breaking the unspoken contract between writer and reader.  You have promised to express the truth through your characters and how people act.

To do otherwise because of the judgment of a few is both cowardly and intellectually dishonest.  If you want to get away with books with no vulgarity, you either must write-in some extraneous reasons to the story as to why, or consider a career in middle-grade writing (Not a condescension, an actual recommendation).

Fourth and finally, King writes about how he once heard that all novels written are actually letters aimed at one particular person.  Each writer has a specific individual in mind when they write their stories.  King even mentions how he’d met a man who wrote for their friend who’d been gone for over fifteen years.  King considers people like that the exception rather than the rule, as most people write for a spouse, friend, or, you know, someone else who is actually alive and breathing.  I just found this an interesting concept considering the promise I made to Christina two months ago.  Glad I’m not the only one who is writing for somebody no longer with us.

Those are the four points I wanted to unpack. If you want to read more about each of them, refer to the source material of On Writing by Stephen King. There’s all of this and much more to be found within those pages for both the aspiring writer and somebody who simply enjoys reading in general.

God bless and have a good day.

The Puppet Masters (#2 – Judgment)

letter_in_the_snow_by_loundraw-d8gvv6z“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” — Neil Gaiman

Well, I think we can end the piece there.  It came from Neil Gaiman.  That’s about all you need.

They cover this at length on the Writing Excuses podcast, this concept King Gaiman is talking about.  It’s mostly a philosophy on approaching peer feedback, especially in writing groups.  You know, those turbulent things.  If you share a draft/manuscript with your peers, make sure to pay close attention to how they feel about certain scenes, characters, or developments.  They are emulating your audience, after all, so their opinions are important if you wish to cultivate a wholesome and successful story.  When they tell you something is wrong, they are speaking from the gut, and the gut is hardly ever incorrect in these situations.  But they are not the author, they are not you and thus do not best understand the story as a whole.  Once they begin to provide specific advice, tread with caution.  If it is from one who is far more travelled in the craft than yourself, then it might be worth your attention, but do not let every passing comment or opinion mold your story.  People will want different things from what they consume, do not form your story to fit the exact requirements of their subjective taste.

It’s your story.  Love it and nourish it, so others may love it, too.  Just don’t let them steer you around, because they probably don’t know better than you about your universe and characters.  In turn, don’t reverse the role as that would only perpetuate the problem.

Again, I must reiterate.  This is Neil Gaiman.  The man knows what he’s talking about.

 

(Photo credit to Loundraw from Deviantart.)

“Brother, My Brother” – Original Horror Short Story

Mama-2013Willa was born to Andrew and Annie Foreman in the winter of ‘93, only months before they’d put a down payment on their first house.  She was a spirited thing.  Annie always jested their daughter was to be the second coming of Karen Carpenter, for she had a humble, stirring voice and was never short of hitting everything in arm’s reach. Willa was prone to smiling, carrying herself with the firstfruits of a southern belle, and laughing at everything in the childlike freedom that came with not needing to worry about whether it was appropriate.

‘99 was not a good year.  Andrew found himself downsized from his position at the laundering press where he’d just begun to think he’d made enough leeway to begin an ascent up the ladder.  The couple grimly entertained the idea of foreclosing on their home of six years, when fate made the decision in their stead.  Andrew and Annie were on a date when they’d received a call from the baby sitter about a smell of gas.  Nothing major, so Andrew dismissed it.  She was likely mistaking the smell for electric burn, since the heaters were just turning on for the first time since autumn.  He instructed her to close up whichever room was the culprit, and decided he’d take a look when he got home.

An hour later half the house went up.  The babysitter was cursed with winding, third-degree burns.  They held Willa’s funeral procession four days after the accident.

“It’s okay, it’s okay,” well-meaning family would console, “She’s in a better place now.”

It was an exercise in tolerance mostly, for Andrew to refrain from rolling his eyes at their ignorant sentiments.  ‘A better place’ was not here.  ‘It’s okay’ was not I’m sorry you lost your daughter.

Of course, they would try again for a child, eventually.  If not before Andrew and Annie shared some bouts against some new, fledgling demons.

“Hon,” Annie came home from work one day, “Why is there alcohol in the basement fridge?”

“I dunno,” Andrew shrugged, head already half-inebriated from the second bottle of scotch.  “Just felt like something worth getting.”

Her expression was equal parts understanding, and kindling fear, though it was hard to tell if something else might be hiding beneath the miserable, grey swathes under her eyes.  “You haven’t had a drink since college.”

Andrew shrugged again.  That was his response for the first few months, before he started getting violent.  To his grace, he’d managed to pull back from the habit before doing any irreparable damage to his world.  He almost hit Annie.  Almost.  The sober part of his pride drew a line in the sand, and he killed the vice where it stood.  The following week of cold turkey was an affliction unlike any he’d endured in years, but he made it through on his mind’s recycled fiction where his daughter kept asking him why he hit mommy.  That illusion, that salvation, was convicting enough to recover from the brink.

Annie’s demon was a bit more stubborn, as it was fond of being a quiet, personal apocalypse.

In the beginning, Annie wept a lot.  Then not at all.  Hours of sleep would be sacrificed to restlessness, only to be answered by days of bed-ridden apathy and slumber.  Andrew hadn’t thought much of this, as his behaviors were much the same, albeit less extreme.  Annie was saddened by the loss of Willa, but of course she would be.  It was her daughter.  Perfect, perky Willa stolen away in one fiery blast.  But ‘saddened,’ Andrew eventually decided, was a pitiful and inadequate term.  Annie was not saddened, she was obliterated.

Andrew thought he’d been grieving hard over the loss, but in comparison to his wife, he was merely inconvenienced.

It didn’t really strike home until Annie tried to kill herself.

Andrew returned from a day of job searching to find his wife seizing on the bathroom floor, a bottle of Tramadol empty of its guts in the sink.  Through her gasps, convulsions, and implosive spasms, Andrew eventually managed to shove his hand down Annie’s throat, upending the drug in one ugly, caustic purge.

After a trip to the hospital to make sure she would be able to filter out what of the substance her body had already broken down, Annie and Andrew both promptly went to recovery therapy, Annie for her depressive grief, Andrew to figure out how he might better help his wife.  It was a slow crawl, but over a year, they saw progress.

Around that same time, Annie became pregnant again.

It had no reason to be a surprise, but the shock met them anyways.  Nonetheless, the months traveled by in relative tranquility.  As Annie’s belly swelled and grew taut, Andrew finally found a substantial source of income and they were able to trade their one bedroom apartment for a condominium on the far side of town, closer to Andrew’s place of work.

Appointments came and went like the tide.  The baby was healthy.  The baby was a boy.  They named the baby Shae.

Little Willa thought Shae was a wonderful name.

Shae was born to Andrew and Annie Foreman in the summer of ‘01.  He was a quiet thing.  Andrew would have remarked how his son might have been the second coming of a great athlete, or perhaps something academic, like a surgeon or attorney.  But Drew had far too much on his mind to concern himself over something like that.

Nowadays, it was all the couple could do to make sure Willa did not take their son away.

In the delivery room, Annie’s life had nearly gone forfeit.  Shae was hard on her body, exacting more than one technical complication during the procedure.  It was a hideous eight hours spent in that room, a seemingly timeless miasma of physical and emotional strife for everybody present.  You’d think a complicated delivery would be the worst of it.

Minutes after Shae had finally been evacuated and placed in the doctor’s hands for sanitation and all other medical protocol, Annie shrieked in terror, stiff-arming one finger towards the foot of her bed, eyes peeled back in an alertness uncommon to those who’ve just delivered.

Everybody turned, but only Andrew saw.  A nine-tailed hook caught his stomach at the sight of his daughter. It struck with such vigor that his subsequent throttle backwards into the wall nearly brought a nurse down with him.

Willa stood idly at the foot of Annie’s bed, watching her mother, seemingly undeterred by the aghast drain of color in her mother’s face.

Their daughter wore the same outfit as the day she died.  Black overalls on top of a baby-blue longsleeve shirt, embroidered with stars and whorls of white.  The skin beneath was mangled and bloodless, her complexion so ashen you might actually mistake it for the namesake of the word.  Burn scars clawed against her face and arms like brambles, skin ripped up and then melted down into a new geometry.  One eye had been sealed shut by the skin around it, which had dripped in its molten state and apparently cooled into a mask afterwards.  The hair, the beautiful hair Willa got from her mother, was inexplicably perfect in shape, albeit grey as a chimney pyre.

“What’s the matter?”  The lead doctor asked Annie, who was still stricken with terror for the undead girl at her feet.  He followed her finger again, back and forth, looking for the subject of her attention.  It was evident he saw nothing.

Annie began to babble, scream, and cry.  She kicked and drew her feet back despite the pain parading through her legs, core, everything.

Andrew, on the other hand, was a little more composed.  He simply recycled the same handful of choice words until they’d become something of an obsessive chant.

As could be expected, the doctors didn’t know how to handle this sudden onset of insanity among the new parents.  They exchanged glances with one another, fear, confusion, and helplessness thick in the way their brows furrowed and hands trapezed through the open air.

Willa turned to face her father.  The marring of her scars pulled down on the lips a little, making a subtle, perpetual frown.  Her one good eye was the same lattice of gold and brown she’d always had, which felt more like an insult to her absent mortality than a grace.  She cocked her head to the side, burned skin straining against her jaw and neck.  Without flourish, she looked up.

A nurse walked into the room, Shae in hand, blood having been swabbed and cleaned from his newborn body.  He was a ripe pink, with a peacefulness on his face to betray the journey he’d endured only moments before.

“Brother, my brother.”  Willa said through a filtered voice as though her throat was full of sediment and moss.

The panicking continued.  The swearing continued.  The confusion continued.  When they tried to explain the apparition by their bedside, even when it was both parents united under one front, their words fell upon ears of ignorance.  To their relief and perplexity, the phantom girl left shortly after, flickering out of existence with just as much haste as she’d come.

If not for their mutual experience of the event, both mother and father might have thought the other mentally unsound.

They left the hospital a couple days later with Shae, and a stark recommendation to wring out their nerves.  For a period, Willa did not return.

No, when she did decide to make visits, they were frequent and without pattern.  One night, Annie might walk in on Willa standing over Shae’s crib, watching her brother.  Possessing over him, you could argue, as one might when they were watching something very intently, observing change.  Watching an hourglass.  Then she’d depart for days, weeks, months without trace or mark upon the world.  That is, other than the deep wounds of confusion she left on her parents’ hearts.

Never in the first four years of Shae’s life were Andrew and Annie able to figure out why their daughter plagued them, let alone how.  She was a walking denial of most philosophies and theologies, so seeking advice from therapists and clergymen was as fruitful as the parents could have expected.  Time and again they were met with scoffing, gentle skepticism, and invitations to find help (with someone else).  A considerate ear, even a humorous ear would have been a great relief, but all were in woefully short supply.

Willa did not speak much.  Only a handful of phrases, each sounding as though the girl had just finished drowning only a moment earlier.  “Brother, my brother” seemed to be her favorite, but there were others.  “I’m here for you,” and “You have such a pretty name, Shae,” and “Shh, shh” whenever he would cry.  Once, when Annie was breastfeeding, Willa appeared and asked “why did you never do that for me?”

That was the first time Annie screamed, not because of Willa, but instead, at her.  “What do you want from us?”  Then, having already found her brave anger, “Leave us alone!”

If this bothered the spirit girl at all, she betrayed nothing.  Instead Willa walked forward until face-to-face with her mother.

“I’m lonely here.”  Willa said.  She looked at Shae, then back to her mother.

Willa did not return for months after that, but she didn’t need to.  The unspoken ultimatum lingered behind with Annie, who, being unable to shoulder the burden alone, spilled it onto her husband as well.  Their daughter—no, they could no longer think of it as their daughter.  This creature, whatever crooked thing it might be, was not Willa.  It was a spectral perversion of something beautiful.  Their shining, smiling little girl, now cold, lips frozen into a melted frown.

It was not Willa.  But it did want to take their son away.

The day Shae turned six, the same age Willa was when she passed, the demon appeared again.  It had been so long since they last saw the corruption of their daughter, both Andrew and Annie thought she might have been gone forever.  They knew in their bellies that she was not, but they’d hoped.  They hoped in vain.

At the park, amongst his friends, Shae was made conscious of a strange girl.  He’d never met this girl, but somehow recognized her all the same.  She was funny-looking, at didn’t take her eyes off him for a very long time.

Andrew certainly recognized Willa, because he hated the masquerade that she was.  As every time before, she was a ghost among the rest, incorporeal and imperceptible to the ignorant passersby.

“Willa!” Andrew yelled, more to distract her than anything.  Willa did not acknowledge her father, and Shae seemed so enraptured by the girl with the burns to even notice he’d said anything.

“Brother, my brother,” Willa said, sadly peaceful.  “Want to come and play with me?”

She reached out a hand to be taken.  It was wrinkled and grey, with singed fingernails, black at the bases.

Shae seemed to regard the hand as something with a mysterious, curious quality.  Andrew saw in his son’s eyes the desire to take hold, if only to know what it felt like.  Andrew sprinted at them from his place among the other parents, and managed to intervene just as Shae started reaching for the hand.  He pulled his son up off the ground and spun him away from Willa.  There was a crowd watching, uncomfortable and written with concern, witnessing the father and son’s game of charade.

“Get the hell away from my son!” Andrew snapped at the girl, her one open eye irritated and unimpressed.

Gasps filled the air around them, onlookers aghast.  Andrew blinked and Willa was gone, replaced by another little girl, one of Shae’s friends from the party.

It was not a simple task convincing the parents that he was right of mind, and frankly, Andrew did not care if they believed him.  No, his concern was that Shae was now aware of Willa’s existence, even if he did not fully understand who she was, or what she was supposed to be.

Andrew and Annie did not even understand what she was supposed to be.  But still, they took his questions in stride, mostly to gloss over the mounting curiosity with each successive prompt.

“Who was that, dad?” and “Why did she call me her brother?” and “She looked hurt, why didn’t we help her?” and “Why shouldn’t I touch her?”

“Because she’s a stranger, honey,” Annie would cup Shae’s face, “We don’t talk to strangers, remember?”

“But you know her,” Shae would rebuff, “I’ve heard you and dad talk about her.  You said her name is Willa.”

To make things worse, he started to learn.  Annie remembered catching her son watching a movie on television, Tim Burton’s Corpse Bride.  In it, he saw dead people, their skin a similar complexion as the ghost girl from the park. They didn’t talk about it, but Annie knew her son was putting pieces together in his mind, threading a large, supernatural tapestry.  That girl he saw in the park on his birthday was dead.  His dead sister, maybe?  That’s why nobody else could see her.  That’s why mom and dad were scared of her, because she’s a ghost and ghosts are supposed to be scary.  But Willa seemed nice.  She only wanted to play.  I like to play.

Willa showed up again only a week or two later.  Shae was sitting in the back seat of the car on their return trip from the grocery store.  In his hands, he fumbled with a toy replica of Sully from Monsters Inc.  Willa materialized in the open back seat, hands folded neatly in her lap, regarding her brother.

Annie jolted for a moment when she saw the apparition in the rearview mirror, but managed to compose herself.  She reached over to Andrew in the driver’s seat, tapped him on the arm, and gave him a look of deliberate intensity.  Her eyes cut to Willa.  Andrew followed them.  He looked back at his wife and nodded.

“Good afternoon, Willa,” Andrew smiled.  “How are you?”

The specter turned its attention on the parents, face placid and wreathed in old wounds.

“I’m lonely,” Willa said.  She turned back to Shae.  “Would you like to play?”

“Willa,” Annie said, “I’d like to play.”

Again, the Willa spirit faced her mother.  Her one eyebrow knotted.

“I would like to play,” Annie’s voice shook, but she managed.  They’d practiced.  She could do this, she knew.  “What do you want to play?”

Willa blinked with her one eye.  It was a slow, consuming blink.  “I…don’t know.”

Shae watched on with that same morbid curiosity that followed everything involving Willa.

“You always liked to sing,” Annie pressed play on a CD in the car.  Journey began to invade the airspace.  It was something Andrew and Annie would often play during car rides, and so Willa had grown accustomed to it while she was alive.  She enjoyed singing along, especially to the tune “Don’t stop believin’.”

If ever Willa had seemed staggered, it was now.  There seemed to be an unsettling conflict within her, a typhoon of the child she had been versus the monster she’d inexplicably become in death.  Her mouth opened with a word, she closed it, that word lost to the void.

“Why?” She said after a lull.

Annie looked over at Andrew.  The bump of the car as it crossed between roads and the existence of a world outside the vehicle was all but forgotten, sacrificed for the sake of focus.

“Why what, sweetie?”  Andrew said.

Willa shook her head and made a low tumble in her chest.  “Why would I like to sing?”

Annie smiled, and was surprised by the genuineness of it.  “Because,” she said, “you’ve always had a beautiful voice.”

Shae’s means of staring at Willa was so severe it was borderline frightening.  But his parents had talked about this, too.  They talked to him, told him about his sister.  “Hi, Willa,” he said, not smiling, but not frowning, “I want to hear you sing.”  He turned to his parents.  “Can I hear her sing?”

Andrew nodded.  “Only if she wants to, bud.”

Willa’s lips pursed, her one eye darting around the car seat in front of her, as though looking for an instruction on how she should behave.  “But,” she garbled, “How?”

“Like this,” Andrew said, picking up the lyrics, lifting the timbre and cadence of his throat.  “Just a small town girl, living in a lonely world…”

She took the midnight train,” Annie rested a hand to her chest, projecting her voice, “Going anywhere.”

They began to sing together.  Eventually Shae joined with them.  Willa cast suspicious, but hopeful glances among everyone in the car.  Then finally, when the chorus arrived, she joined.  It was a creaking, skidding ensemble, but she sang.  Her throat rattled as though filled with lead bubbles, but she found the enthusiasm.  The skin outlining her mouth was taut when she drew it wide to sing, but it did not rip like one might suspect it would by appearance.

“You sing really well,” Shae said, “I think you have a pretty voice.”

Sad admiration, or perhaps longing for appreciation, filled the girl’s dead face.  “You think so?”

“Yes,” Shae smiled.  It was not a smile on the hinge of bravery, or clambering to satisfy.  It was a wide, I want you to believe this because it’s true sort of smile.

Willa did not smile.  She looked back to the front, Annie waiting to meet her gaze.

“I’m lonely,” she said.

Annie shook her head.  “You can’t take Shae-”

Willa’s attention grew sharp and cold.

“-but you can come and play with him whenever you want.  You are still our daughter,” Annie said.  “We want to love you again.  We want you with us.”

“Can I,” Willa chewed her lip, a film of black around her gums, “Just stay?”

Annie blanked and screwed her eyes onto Andrew.  He hesitated, attention fiercely locked on the road, mind a million miles away.

“Of course you can,” Andrew said after a few beats.  “If you give us a few days, we’ll put together a room for you.  We can have dinner as a family again, all four of us.”

A satisfactory script of trust deployed across Willa’s face, her scars fighting against the upturned curl in her lips.  “Okay.”  She nodded, a small vein of moisture in one eye.

Then she was gone.

As promised, Andrew and Annie started making up the spare bedroom to be Willa’s.  They weren’t sure what they were doing, or how, but they’d figure out a way to make it work.  Maybe she wasn’t as she used to be, but it was still their Willa, and they would love her the best they could.  They ought to consider themselves fortunate.  Not every family gets their daughter back.

Even if she couldn’t eat.  Even if she couldn’t sing.  Even if sometimes Andrew would wake up to her, standing at his bedside, watching him sleep.  Even if she still reached out to Shae sometimes, as though some demon controlled her fingers, demanding that she try to steal him away, her expression estranged and like steel.  Shae knew not to take Willa’s hand when she became like this, but the curiosity in his eyes could not be dodged.  It was all his parent’s could do to alleviate his interest.  Willa was good, they would say, but she was not entirely herself.  Something wanted to drag them to a dark place where nobody returned.

Willa and Shae were happy with their parents, Andrew and Annie Foreman, in the winter of ‘07.

Only God knows how long that was going to last.

Final Thoughts. Christina Grimmie, the Girl with a Full Heart

Hey Team Grimmie,

I don’t know about you, but it’s been a pretty long week over here.  I am writing this final article on Christina mostly as a therapeutic measure for myself, but also because there is much I need to say.  Please forgive me if it digresses into rambling a couple times.  It’s going to be long and very honest. I’m gonna be bleeding into this one.

So after writing my original letter about Christina’s passing, I was not surprised to find that many of you had comments to share both with me and with the internet in general.  There’s one idea in particular I’d like to address right away, as it seems to be burdening a lot of your hearts, as well as my own.  There seems to be some level of internal guilt and confusion in how you should feel about missing Christina.  So many people who had never formally met her, let alone had an opportunity to be her intimate friend, have expressed genuine devastation at her untimely departure.  And most of those people seem to be wondering how that’s even possible.

11821862_857733127615620_1809018073_nFor starters we need to talk about Youtube.  We are of a generation where there’s a weird new type of relationship we can form with people via Youtube and similar video services.  Popular Youtubers aren’t like other stars in mainstream media, whose acclaim and reputation are largely independent of their fans.  If a Youtuber is well-known, it is directly because we give them attention and support.  Because of that, Youtubers tend to develop a mutual appreciation for their fans and have a deeper connection with them than normal celebrities.  The longer this goes on and the more each party learns about one another, the greater this strange bond becomes.  We feel directly tied to the vloggers we love, because our respect fundamentally must go both directions, and so we feel like even if we don’t know them personally, the person on the other end of the screen is, to some extent, our friend, brother, sister, whatever.  Sometimes a combination of things which otherwise don’t go together.  There isn’t a neat category for this relationship.

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Christina, on the set of “The Matchbreaker,” a film slated to come out later this year.

In Christina’s case, she worked very hard to be as inclusive and interactive with her fans as possible, answering our questions, hugging us at concerts, inviting us to play games online, and generally being available to talk whenever she could afford it.  Making it so you felt like friends was her goal. If you want to understand Christina a little more than just what has been recycled by the media in this last week, I encourage you to backtrack through her Youtube channel, zeldaxlove64.  I have no doubts that if you’re confused as to why so many people seem distressed over her passing, you’ll quickly come to realize that, somehow, you might miss her, too.  On my original article, I received this comment from somebody who had never heard of her before and did his research:

“How could I not know this girl existed? And now that I do know, why am I so sad that she is gone?  That’s not fair.  You can’t make me miss somebody who’s already gone.”

 

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Christina singing on “The Voice” with Ed Sheeran.

But it wasn’t just Youtube. “The Voice” requires direct input from its audience through a voting process to select its winners.  Christina might have been the performer, the one with the skills, but we were the ones who acknowledged her abilities and voted for her to win. Then, again, we helped her rise up through things like the iHeart Radio Contest and other challenges and competitive fundraisers she’d entered (she did a lot of fundraisers).  We have directly, consistently affected the outcome of her life, because we believed in what she was doing and that she deserved it.

Lastly, some people have expressed guilt at feeling like they lost “a sister,” and they regret feeling that way, probably because they think it devalues Mark’s loss, you know, since Christina was his actual sister.  I understand where you’re coming from, but please do not beat yourself up over this, either.  Mark is a mature man.  He knows better than most the kind of thoughts people had towards Christina.

Do not feel bad for your sadness, it will only make recovery take that much longer.

christina-grimmieSince writing the “Can I Say Something” article, I’ve also talked with people who personally knew Christina to some degree or another.  A childhood schoolteacher who reflected on watching Christina play with friends at recess. People who met her in concerts.  People she helped through hard times.  I even managed to find the Facebook pages of her best friends, but they were understandably unresponsive to my attempts at contact.  It’s for the best, probably.  I do not want to intrude upon their grieving.

Christina was not just a face on a screen.  She was not a distant entity, self-absorbed and narcissistic as many of today’s role models seem to be in popular media.  Christina, true to the character of her namesake, was a compassionate and aggressively selfless human being.  She was joy and hope.  She caused people to love her, with minimal effort on her part.

Now, for just a moment, I’m going to spew memories and thoughts from the past half-decade of being a proud member of Team Grimmie.

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That is a Toon Link backpack she’s wearing.

Y’all remember how often people would ask her to do her monkey noises on camera, or do her freakishly accurate imitation of Pikachu?  Remember when she said her favorite color was green, because that’s the color Link wears in The Legend of Zelda, and how she’s had a crush on him since she was, like, five years old?  Or when she went into an actual days-long grieving period after she first learned “L” dies in Deathnote (spoilers, I guess).

Not to mention the time where she casually mentioned getting engaged to a guy named Ken during a live stream after somebody asked about the ring on her finger and the collective sum of her lovestruck fans lost their minds.  The anime-goers among us sat back and reveled in her brilliantly playful deception, knowing she was talking about Tokyo Ghoul’s protagonist Ken Kaneki, who she was infatuated with just as she had been with many anime guys before him.

Or how about the bizarre vocabulary she made up and used on a daily basis, like ‘crubnuggets’, ‘squeeberries’, and deliberately misspelling normal words, like ‘yu’ and, of course, ‘frands’ (her term for all of her fans).

Or how her favorite animals were cows, her favorite candy was starburst, she had a bad habit of chewing her fingernails, and she named her keyboards after Ness and Lucas from Earthbound/Mother.  Which, naturally, are also the names she would have given to her two sons if she could have had them.

12142369_717198415081389_1611388844_nOr the time she did a vlog while studying for her LA Driver’s permit, fully knowing it wasn’t going to help her be productive at all.

Or, Christina, how about when you got “All is Vanity” tattooed on your arm because you refused to undress for the record label you earned through “The Voice.”  You wanted to do your career your way, so they dropped you.  Looking around, you clearly didn’t need their help anyways.

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Christina with Tyler Ward.

Or that time Tyler Ward had you do a Snoopy impression, and all you did was lie on the ground and stare at the sky. (By the way Christina, he wrote the most tear-wrenching song for you.  It hurts.)

Or how you ended every video with your signature and goofy “bye!”

Or when you lost your chill over the band Fun like, seventeen times.

Or that time on Twitch when one of your fans said they were auditioning for “The Voice” and was asking for advice and you went super professional on us.  Or after the terrorist attacks in France you encouraged everyone to pray right there in the middle of a match of League of Legends.  Or when you got to go mano-y-mano with “ZeRo”, the best Smash 4 player in the world (I have come to learn most of her Twitch.tv recordings have vanished).

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You could rock it when you wanted to, though.

Or how you had to psych yourself up for photo shoots at the beginning of your career, because it wasn’t intuitive for you to show yourself off or dress in high fashion.  Another note towards your modesty.

Or how you met a fan wearing an “L” jacket, who immediately gave it to you.  But of course you felt bad about simply taking it, so you traded jackets instead.

Or when you got your band to do the Harlem Shake, and the Ice Bucket Challenge.

Or how you managed to take a Drake song and completely recompose it for a nation-wide audience, casting it in a much more fulfilling tone and meaning than the original track.  This one still blows my mind a little.

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I’m sorry your momma’s not coming home, Chloe.

Or how your dog Chloe would always photobomb your videos.

Or how you broke down in front of us on multiple occasions.  Like when Pikachu was crying over Ash in Pokemon The First Movie, or when you went online just to encourage any of your fans who struggled with eating disorders or low self-esteem.

Or when we made those encouragement videos to Mama Grimmie to show support through her chemotherapy and you thanked us from the bottom of your heart.

Or when you sometimes showed your humanity.  When you’d start to doubt yourself and we’d have to pick you back up, and help you celebrate in your victories.

Or when you were interviewed and they asked what your parents thought of their fifteen-year-old daughter putting music on Youtube and your mom was horrified that some strange man would come and hurt you.

Or that one tweet you sent a couple years ago.  You know, the one where you had a dream that you died and said it was really scary and horrible.

Sorry.  Give me a second.  I need to go calm down.

You know, I have weird thoughts sometimes.  I often wonder what was going through your mind after that first bullet hit you.  I have thankfully been spared most of the visceral details (though my cursed imagination has done a swell job of filling them in for me), but we know you were hit multiple times, at least one of which was in the skull.  You did not die until over an hour later.  Somewhere in that miasma of pain and unconsciousness, how aware were you of the situation?

I like to think you knew.  I like to think the reason you didn’t pass away from the start was because you knew how devastating it would be to so many people.  I like to think you remembered recess with Sarah, Lauren, and all of your other friends, and wanted to make it through so you could go home and remind them how much you loved them.  I like to think you wanted to go brag to Mark about your recent, perfect playthrough of Ocarina of Time (which he discovered after your passing, you punk). I like to think you’d miss the nights on the tour bus, screwing around and making memories with the band, those guys who always had your back.  I like to think you couldn’t stand to leave before your mother, who had overcome four major battles against cancer to stay by your side.

I like to think your heart was breaking as you realized that, if you died in that moment, your best friends would be heartsick on their wedding days, because you would not be there to celebrate it with them.

I like to think you fought with every ounce of your body and soul to survive that attack.

I dreamed about it, actually.  Not full-sleep, you know, but that weird in-between state when your mind is tired but your heart is racing.  I saw you there in the emergency room, watching as the doctors tried to resuscitate you and stop the bleeding.  You just kept screaming no and please at the top of your lungs over and over until your face turned red and your coiled body ached.  You didn’t want to die.  You didn’t want to leave your family like that, out in the waiting room, their stomachs feeling like peeled, rotting holes.  You just kept shouting that same thing, begging, pleading for your body to move again.  After it didn’t, and your heart stopped, still you lamented.

Then, standing there in the operating room, Jesus tapped on your shoulder from behind.  He tried to get your attention, but you couldn’t hear him at first, because you wouldn’t stop screaming long enough for him to get your name out.  So he stood there in the corner and waited, with his hand pressed gingerly against his eyes to ease the pain as he watched his daughter tear herself in half under the weight of her own sorrow.  Eventually he tapped your shoulder again once you’d become too tired to scream, and your knees trembled too much to stand anymore.  Without even looking, you barreled into him and cried your heart out of your ribs, because you finally realized no matter what you wanted, you weren’t going back.

He wrapped his arms around you, pulled tight like he was the only thing left that could keep you together, and wept into your hair that way where it feels like you’re screaming as hard as possible, but it’s trapped in the back of your head and the noise comes out in broken sobs between your teeth.  That’s how he cried.

I’m so sorry.  He said, sharing your tremble as you continued to cry into him.  I’m so sorry, little one.  I promise I’ll take care of them for you.

I like to think that’s what happened.

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Christina and the band.

That scene among other imaginings have been the only things I could reliably think about for the last week.  Christina, it feels like there’s a crack in my chest, and that’s amazing, because as we’ve already discussed, I never actually knew you.  If it hurts this much just having a cursory knowledge, then I am horrified and nauseated for people who were closer to your life.  I literally do not have the emotional capacity to understand how much pain they must be in.

Mark I am especially grieved for, and not just because we are both the older brothers of one sibling.  I can’t imagine he has gotten any sleep in the last week.  He watched a man commit suicide right in front of him.  That is not an image he will ever be able to forget.

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Mark and Christina.

Let alone the sight of laying his baby sister in the ground.

You were his Player 2, his life partner.  You were his inspiration.  What is your family supposed to do now that you are gone?  Christina, you were their world.  They dropped everything in support of your dreams.

Among a million other tributes, there was a candlelight vigil to commemorate your passing.  It took a while, but I found it on Sarah’s page.  It is the only thing I am comfortable sharing of hers, because that was technically a public event.  (Sarah, if you ever read this article, please forgive me.  I might have walked through your personal memories a little.  I wanted to see Christina through the eyes of her best friend.  I get it now.  I already knew you were cool because of your Above All That is Random videos, but it never really hit home exactly how precious you were to one another.  And Lauren, if you see this, thank you for convincing Christina to be brave enough to sing online.  Considering how shy she was, without you guys, she might never have pursued her dream.)

Christina, you were surrounded by wonderful people.

Christina-Grimmie-vigil_CNNPHOne of the first to give their piece at the vigil was your friend Pete, and the most memorable thing he said was that no matter how much success you found, you never changed.  He reflected on the times you spent Christmas caroling, dancing, and making campfire memories. Then Sarah and Lauren got up there and spoke the lyrics to Switchfoot’s “This is Home,” which I came to learn is a song you wanted to sing for them during the Homecoming Week on “The Voice,” but you couldn’t get it legally passed in time, so you settled for “Some Nights” by Fun.  Amazing foresight you had, to dedicate a song to your best friends about finally going to Heaven.

Then Mark got up to talk.  I was absolutely floored by what he said, because it was only partly about you.  He took a moment to speak about the Orlando shooting that followed the night of your death, and how, unlike you, the victims of those families do not have the convenience of a GoFundMe campaign which raised over 180,000 dollars.  Those victims didn’t have Adam Levine offering to pay for their funerals.  They didn’t have dozens of people paying them tribute by name, like Switchfoot, Justin Bieber, Nick Jonas, Soren Bjergsen, or Christina Aguilera.  I mean, Selena Gomez broke down on stage while singing a Hillsong track.  Nintendo held a moment of silence at E3.  You know how many people get that who aren’t game developers?  Zero.  Only you.  Even the LCS (official League of Legends organization for America) tipped their hat to you.

Mark wanted us to know the victims in Orlando need our love just as much as we’ve given it to you. He used your death as a pedestal to remind people the importance of praying and showing compassion to others.  So it wasn’t just you.  The entire Grimmie family is of exceptional character.

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Mama Grimmie and Little Grimmie.

After you passed away, Mark said something else on social media.  He wanted everyone to know the last thing you were doing before you got attacked.  To Kevin James Loibl, the man who would be your murderer, you welcomed him with arms wide and inviting.  Some critics will say that was a sign of naivety.  Those critics do not understand the power of unconditional acceptance.

So I must reiterate from my first article: please do not hate mister Loibl.  I have already seen plenty of what people have to think of him, and it terrifies me, because even though we have a motive for his actions now, there still seems to be no compassion for him.  Instead, people wish horrible, cruel things on him, his soul, and his family, as if it weren’t that same insensitivity which create men like Kevin Loibl in the first place.  By continuing to perpetuate this spirit of unforgiveness, you increase the likelihood that the ‘next Christina Grimmie’ will die similarly.

It is a condition I see being played out in real-time every single day, so please be good to one another.

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Christina with “Faker,” the best League of Legends player in the world.  Note the Tokyo Ghoul t-shirt.

Whenever I’ve been asked if I had a celebrity crush, I always defaulted to you.  That has never really been accurate.  I just couldn’t think of any other way to describe why I was so fond of somebody I’d never met.  My feelings weren’t as much romantic as they were a platonic, fantastical admiration, though I’d be lying if I said the former was completely absent (refer to the beginning of the article again for why Youtube personalities don’t fit neatly into one category).

Something about your innocence and genuineness made me want to protect you, which is terrible, since that was kind of impossible.  So at first, I prayed a lot, and that was the extent of my protection.

But I think somewhere in my spirit, I knew you were in danger.  Earlier this year, I had this dreadful feeling I couldn’t shake.  That’s why I started fasting so much.  Every tour, I told myself I would fast one week for you.  I did it at the beginning of the Rachel Platten tour, and then again for the entire month of April.  That was a very difficult month, but I couldn’t help except to continue.  Somewhere deep inside of me, there was an aching need for you to be okay, not only physically, but emotionally and spiritually as well.  I knew you were changing the world, and I know from experience that the world would try to change you instead.

12825999_518679678340739_1362659454_nI try not to dwell on the fact that I started my fast for the Before You Exit tour several days late.  I try not to think about how I thought it’s okay, she’s got this, she’s been safe on all the other tours.  I should have already been done with that fast, but I was only on day three when I got the news you’d been shot.  I try not to think it was at least partly my fault for being so lenient and starting so late.  I try not to think about how I began bargaining with God, because I know that’s not how it works, but I couldn’t help it.

I try not to think about any of that.  I’m sorry I couldn’t protect you.

11875567_523604097797526_1039453844_nI’d lost at least a hundred hours of sleep to you even before you passed away.  Overactive imagination.  I wish I could detail it all here, but that’s just not feasible.  I thought about how one day I was going to have daughters, and I’d take them to your concert and introduce them to you.  They’d be your biggest fans, and I couldn’t be more proud, because you were the kind of role model I wanted them to have.  You always said the thing you cared about most was that you were a positive influence on others.

I thought about you opening presents on Christmas with your toddler sons.  You’d buy Lucas his first keyboard, which Ness would end up liking more than him.  Lucas would eventually feel isolated because he wasn’t good at music like his mother, brother, and (probably) father, but you’d help him find what he loved.  Ness would cling to you like you were the entire world and watch you play piano for hours.  No matter how old they got, or whatever bad decisions they made, they would always know you loved them.

You would have been a great mother.

I think about how I made that stupid plan.  Operation: Prisma I called it, because, you know, I’m excessively dramatic.  Prisma, because, as I put it, you were “refractory, the prism by which all lights must pass through to find their colors.”  In it, I outlined how I would become an author, and then after I was popular enough, I’d join a team for an anime and we’d have you do the theme song.  Or, if the anime didn’t work, then a video game where you could be the lead voice actress.  I didn’t want to do any of this for some convoluted agenda.  I just desperately wanted to find some way I could be your friend.

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Christina with Colton Dixon. Colton’s song “Never Gone” has helped me a lot, lately.

Since the day I found you, you were always the kind of friend I’d dreamed of having.  You were the composite of everything I liked about people.  Now that you’re gone, I’m scared I’ll never find that again.  Even if I couldn’t sing, I’d been practicing a lot just in case I had the opportunity to sing with you.  I was keeping a pocket of my heart open for the unimaginable.  I’d fallen into your gravity, as many others had as well.

But as life is fond of enforcing, plans have changed.  I can’t even listen to music the same way anymore, as all of the songs are being re-written one by one, with your heart between the lyrics.

So, here’s the new plan: I’m going to do the best I can.  I’m not like you, with your inherent, bubbly enthusiasm, but I want to adopt some of that peace you kept in your soul.  I want to expand my faith, I want to trust others more openly, even if it’s not easy.  I’ll work at being less cynical, less critical.  I’m going to grow stronger, read my Bible more, and smile as much as possible.  I’m going to write and write and write until I write something that you would have loved.  Then I’m going to go and get it published, no matter how many rejections I have to wade through, and when they ask what I want to put on that very first page of my very first novel, it’s going to read:

“As promised, the first one’s for you.

To Christina Grimmie, the Girl with a Full Heart.”

The more I think about it, I’m not surprised you died as early as you did.  Our world cannot tolerate such bright lights strutting their stuff all across its four corners.  You were too loud for its tastes, making too much of a difference too quickly.  Through your Christ-like behavior and worship of the Father, you gave people strength to break addictions, overcome depression, and love themselves when they no longer wanted to love anything, least of all themselves.  In hindsight, it seems only natural that the world would long to get rid of you.

That is what happened to the Son, after all.

11191196_1590726394526482_1880354736_nIf you’d been told you were going to die when you did, I’m not sure you would have lived your life any differently.  Even though I know it’s not my place, a part of me wishes I could mourn and talk with your family.  But I don’t see that happening, so I’ll just have to pray for them and lend my support any way I can.  Maybe some day I’ll accidentally bump into Mark.  That would be awesome.

To whoever made it all the way to the end of this long piece, I implore you to pray.  Pray for Christina’s family, pray for her friends, her community, everyone who held her dearly.  Pray for the victims in Orlando, and that we might someday find a way to cut down on so much unnecessary bloodshed.

When life hits you hard, don’t shut out the pain.  Christina lived her entire life in suspense that cancer would finally take her mother away, but she still lived as brilliantly and joyfully as if cancer had never touched her life at all.  Please do not medicate or drink away your sadness.  Those feelings are important.  How else are we supposed to mature in empathy, if we run away from it?

Should I happen to leave this world in an untimely way, I’ll make sure to remind Christina how much everybody loved her.  If any of you happen to go prematurely, please do the same.  Also, tell her I said not to make any of the angels jealous of her awesomely superior singing ability.  She’ll probably blush, but say it anyways.

All across the internet there are stories of people who never knew Christina, but are coming to the Lord through her testimony and life.  There are people with broken hearts being healed, and even more are finding strength and inspiration to make more of themselves than they would have done otherwise.  People from Europe, Australia, Africa, and beyond.  So congratulations, Christina.  You did it.  In only twenty-two years, through living, and in dying, you have changed the world.

Now, with a personal tweak on your own lyrics:

“I’m letting you go.  I just want you to know, I’ll think of you.”

Thanks again, Christina, and I’ll see you later.

P.S. Hey dummy, you know that new Legend of Zelda game you were waiting so long for?  They finally announced they’re calling it The Breath of the Wild.  It looks awesome.  You would have loved it.

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Singer/Songwriter Christina Grimmie Has Passed Away. Can I Say Something?

Christina-Grimmie--Performing-at-the-East-Hills-Park--07Christina Grimmie, a beloved singer/songwriter who got her start with Youtube and went on to place in the sixth season of “The Voice”, passed away this morning after taking gunshot wounds after a show.  She’d been on tour with pop-rock artist Before You Exit, and they’d just finished performing in Orlando, Florida.

While signing autographs for her fans, Christina was approached by a lone gunman and shot multiple times.  Mark, her brother, immediately took down the assailant before others could be harmed.  In the midst of the struggle, the gunman managed to take his own life.

Christina was pronounced dead a couple hours later.

To Christina’s family and friends, I am sorry.  From my gut to my heart, I am sorry.

Christina Grimmie Visits Radio Disney

If you are not familiar with the name, Christina Grimmie had humble beginnings as a fledgling Youtube cover artist, beginning at the age of 15.  Since then, she has released multiple EP’s: “Find Me” and “Side A,” as well as one full studio album: “With Love.”  Breaching the mainstream, Christina tried out on singing show “The Voice” where she placed in Season 6’s top three.

From the very beginning, Christina was public and proud of her Christian faith and walk.  After her time on “The Voice,” she got the verse “All is Vanity” tattooed on her right arm, a tribute and reminder from Ecclesiastes. Always modest and never profane, she was an outstanding exception in her industry.  Her favorite Christian songs were “In Christ Alone” which she covered a couple years back, and Matt Redman’s “10,000 Reasons.”  She is quoted as being heavily inspired by contemporary Christian artist Stacie Orrico in the early years:

“She has a really awesome voice and I was so drawn to it. I think the reason I do have a soul voice is because I grew up listening to her and she was my huge, huge influence. I wanted to sound just like her, I wrote songs that kinda sounded like something she would do.”

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In addition to Stacie, Christina notes Christina Aguilera as a primary vocal inspiration, as well as many other artists ranging anywhere from Twenty One Pilots to Metallica to Skrillex to Switchfoot.  Earlier this year, she concluded a tour with well-known popstar Rachel Platten.

Christina appealed to the same audience we strive for here over at Geeks Under Grace.  In addition to her faith, Christina was an avid and vocal geek of many forms.  Big into both video games and anime, Christina loyally streamed Super Smash Bros. 4 and League of Legends up until earlier this year.  In Smash she mained Ness, in League she mained Mid Lane.  She had opportunities to play with or meet some of the best players from each.  If you look around her instagram, you’ll notice her room is decorated in paraphernalia from Deathnote, Attack on Titan, Skyrim, Sonic, Legend of Zelda, Tokyo Ghoul, Fullmetal Alchemist, and much, much more.  On one hand she had the signature “L” tattoo from Deathnote, and on the opposing arm she had tattooed “2P” to match the “1P” shared by her older brother.  Though I could not find the video in writing this article, I remember at one point she made a Triforce diagram, where the three components were “singing,” “video games,” and “food,” with “God” in the middle.  She called it her “Triforce of Grimmie.”

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Christina, cosplaying as Ahri from “League of Legends”

Please forgive me.  At the risk of sounding unprofessional, I must admit, it is difficult for me to write this article pragmatically.  I’ve followed Christina’s progress for over five years.  This last April, I fasted thirty days of food for the sake of Christina’s physical, spiritual, and emotional safety in the years to come.  I do not share this to bring praise to myself, but for transparency.

I will deeply miss you, Christina.

Today is an unbearably sad day for many.  If I’m not overstepping myself, I’d like to take a brief moment to reach out to a few people, even if only in prayer and written word.

To Papa and Mama Grimmie, whose hearts must weigh more than all the world itself, I am sorry.  Thank you for loving your daughter.  I know she loved you too, and will be waiting with open arms and a beaming face on the day you come home.  I’m sure she is already hard at work composing the song she will be singing.

To Mark, from one big brother to another, please hear me out.

You did not fail, Mark.

The media is calling you a hero, but god only knows how sarcastic that must sound right now.  We both know the truth.  You were always her hero.  You were always there, watching your little sister’s back.  I am so hurt for you.  I am so proud of you.  I know she’d be proud of you, too.  It might not be soon, but please someday, find the strength to forgive yourself.  You owe it to Christina to not feel like you let her down.

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To her friends and fans, please do not hate the man who took Christina’s life.  I cannot emphasize this enough.  Christina lived beautifully, smiled liberally, forgave openly.  She would not want a single one of you to be burdened by the ugly, wormy creature that is hatred.  It crawls into your heart, deep inside, and it poisons you.  It’s easy to hate things that do not make sense.  I don’t know her assailant.  I don’t know if he was crippled by loneliness, or anger, or whatever drove him to do what he did, but it doesn’t matter.  I promise, if Christina were still with us, she would not have wanted us to hold that man in contempt.  To do so would be in direct violation of everything Christina believed in, everything she was and wanted to be.

Tyler Posey, Christina Grimmie, Josh Hopkins And The Madden Brothers On "Extra"

So thank you Christina, for putting the music in our hearts.  Thanks for the laughs and the inspiration.  I’m sorry you will never have a chance to get married, or to be a mother like you wanted.  You never deserved to be stuck down here with us.

I was hoping I might meet you sometime soon, but I guess I’ll have to wait a little longer.  I look forward to the day I can hear your voice again.  Maybe we’ll all have a chance to sing together in the eternity to come.

Until then, may you rest in ultimate, unending peace, free from the pain of this world.

Forever and always, #TeamGrimmie

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