Review: “All is Vanity” by Christina Grimmie

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We’ve just barely crested over the anniversary of Christina’s death. In the meantime I’ve done a lot of writing either about, or in promise to her. However, I’m keeping those details to myself. This post is going to be a little more forthright, a critical analysis of the post-humus album released by Christina’s family and producer on the day prior to the anniversary. I will analyze with as much technical prowess as I am capable, but please understand I have a limited background with music, so on that front it won’t be particularly detailed.

Also, this is obviously just an opinion.  You’re allowed to disagree, and I know many will because I approach Christina’s music, and indeed, all things I care about most, with harsher expectations than they probably deserve.

Lastly, I am keeping in mind that these were all incomplete items, finished, mixed, and mastered without Christina’s help, so I’ll try to keep a certain level of fairness involved when it comes to those things.

Let’s get started:

Sublime

We kick off the album with an upbeat, electro-pop love song.  The bass line is probably my favorite part of the song in terms of musical appeal.  We are treated to some solid rhyme-game during the bridge, which builds to one of Christina’s classic romps through high notes, all of the musical themes stacking on top of each other to deliver a solid super-chorus (my own term for the last chorus.  I know, I’m the height of technical knowledge).

I honestly don’t have much to say about this song.  It’s good, but not particularly amazing, especially in terms of the lyrics.  The rhyming is good, but there’s not much in way of message.  I understand not every song needs a strong message, especially in pop music, but considering the depth we saw in Christina’s earlier works (a la the “With Love” and “Find Me” collections), it feels a bit lackluster.  Ultimately I enjoy the song, but it’s hardly my favorite Grimmie track.

Next.

Steady Love

I commend this song for starting at a simple pace with modest, but inventive musical themes.  This one obviously wants to focus on the lyrics.  It’s another love song, but with a different tone from Sublime.  There’s a degree of patience and contrition in the words which makes me appreciate it far more than the first track.

I’m a heavy piano fan, so the bridge of isolated lyrics and minor-key piano already makes this one of my favorite songs on the album just for that alone.  Steady Love also gives Christina an opportunity to show that she can sing outside of a wild adventure of high notes, as demonstrated throughout.  She never leaves register and keeps each fall and rise of her voice under the strict softness which compliments the music so well.

The kick-in after the bridge is just enough, which is another strong point of the song.  You can sense the hit coming, but it’s not overwhelming, and tapers off beautifully into silence, a quaint setup for the next track.

Invisible

I have a particular fondness for “Invisible” as it was the first song released postmortem. It suffers from being part of her completely synthetic music phase, as well as being one of the many aforementioned, obligatory love songs she wrote (and unfortunately is not one of the ‘happier’ ones).

That said, the dominating synth utilizes a punchy melody, making it perfect for just daily travelling, doing random things around the house, driving, and even working out in the gym.  This is a catch-all song, with a mildly futuristic appeal to the music, and a hauntingly ironic message considering the singer is now gone.  It’s something that would have sounded somewhat boastful if viewed outside of context.

You can tell this song was mostly a therapeutic track Christina wrote for herself, to help her recover from some pain she’d endured in an unfortunate relationship.  It was written to empower herself against sadness, but when viewed through the lens of her death and the swell in her legacy after the fact, it carries a sense of having been anticipated, and that even in death she will continue to affect lives all around the world.

“I won’t be another ghost.  No, I won’t be invisible.  See me everywhere you go, no I won’t be invisible.  I won’t be diminished, eclipsed or hidden.  You’re gonna see my light blaze back to life.  Like a phoenix, rise.”

The best part of the song is her over-the-moon maelstrom of notes at the end, which despite having listened to the song over a hundred times, still gives me shivers.  It’s as though she’s performing again, but this time it’s not for us.  It’s to plant a boot on the neck of anything which ever tried to tell her she wasn’t good enough, and her having the audacity to prove them wrong.

Crowded Room

You can’t tell me this song wasn’t at least partly inspired by the soft jazz productions she did for The Matchbreaker film.  It has so much soul and sway, which fills me with joy, because I always liked the atmosphere songs like this bring.  They have a personality matched by no other form of music.

Best part, though?  This song has a superb message.  Christina identifies her own struggles with pride and vanity, two things she was aware enough of, and opposed to so fiercely, as to have the evidence tattooed on her arm for the sake of accountability.  Crowded Room does adopt more of a pop sound to walk alongside the soul and the church organ, but that’s okay.  Christina traverses the feelings of being alone in a sea of faces, trying to maintain your identity and ending up falling short.

“Here in this crowded room, I found everyone but myself.”

This one line captures much of what Christina was dealing with in her final years.  The tours she went on, they challenged her perception of herself, and that will be apparent moving forward.

Everybody Lies

We continue our metanarrative exploring self-identity with this song (a theme throughout the album, which is appropriate, because that’s what Christina was dealing with at the end of her life).  It’s important to actually look at the lyrics of this song, so you understand it is not *condoning* lying, only that it happens.  The fabric of the message is a “you’re not perfect, and neither is anybody else, and that’s okay.”  Christina encourages her listeners not to cast blame on others, because everyone is dealing with things, and that we should work towards more harmony.  At the same time, she maintains realistic expectations, saying you should trust, but don’t do so recklessly or you might get hurt, and don’t glorify people, because they’ll inevitably let you down if your opinion of them is too high.

There’s a secondary message in the song, more tied to the identity aspect I mentioned.  After we can get past accepting that we are flawed, don’t hide from your imperfections.  If you don’t like something in the world, start by changing yourself, becoming better.  She cements this idea in with a loose Bible quote: “Why gain the world if you lose yourself?”

Musically, Everybody Lies is encouraging, enthusiastic and doesn’t take itself too seriously.  There’s a sound which makes me imagine a toy factory while I listen to the song.  I love the honesty and purpose of this song, and it’s arguably one of my favorite Grimmie tracks to date.  I especially love the ending, where they edited in the last few seconds of Christina’s “#DearMe” Youtube video, which is universally considered one of her most beloved uploads.

“You are an extremely unique and individual person.  I’m telling you, don’t let the invalid opinions of others just bring you to the pits, okay?  You’re strong, so own it.

Love,
Me”

Pressure

If Crowded Room was the “wandering” to accept oneself and Everybody Lies was the “growth,” then Pressure is the “acceptance” part of this little trifecta.  A Christina now fully conscious of who she is, actively resists the cultural and professional pressure placed upon a person in her occupation and age group.  I have two outspoken compliments of this otherwise okay song: the music is simple, yet inventive, and there are several vocal cuts injected from Christina’s “Tell My Mama” music video (at least, I’m pretty sure that’s what it is. I’m not going to go back and check), which capture a side of Christina which is never seen in her music:

The fact she was a huge nerd.

“It’s like she thinks she’s an anime character,” high-school alpha girl says “She thinks she’s Zelda.”

Firstly, that’s a perfect thing for a popular high school girl to say as a condescension, because Zelda’s original source material is a video game, but you know, whatever.  Christina’s answer in the song is an appropriately confident:

“I’d rather be hated for who I am, than loved for who I’m not.”  Which would be pop-philosophy fluff, if she didn’t actively live that way as much as possible.  At that point, the fluffy words turn into substance, and that substance is the reason why even a year after her death, Christina has more fans than ever.

Maybe I

The vocal stride of this track is perhaps its greatest talking point.  Christina shows her skill as a singer in a different way from the rest of album.  She swings her voice around and hits beats in a fun way which we see in pieces of other songs, but with more emphasis in this one.

This song’s meaning, at least as far as I can see it, is simple.  Having now accepted who she is, what she can do, and who she can be, Christina is now dedicated to being the best.

Musically it is the least interesting song on the album to me.  I’m not really sure of what to say about it which could be outstanding.  I’m coming up short.  I’m sure somebody else with more knowledge of music might see some pattern or quirk in the composition which is neat or cool, but I’m deaf to it, so let’s move on.

Echo

This is the concert song of the album, and is the most aggressive track in terms of lyrics, which might be misleading because of its bright musical overtones.  The chorus in particular has a fist-pump and shout vibe which I can see capturing a crowd.  Similarly to Everybody Lies, this song needs to be viewed carefully or else you risk misinterpreting the character of the girl behind the lyrics.  This song is Christina reinforcing herself against uninvited drama and negative opinions of others.  It reads more of a self-fulfilling promise than somebody with ego problems, though I am not so blind to Christina’s humanity to ignore the fact that she was obviously really indignant during the creation of this track.

Doesn’t matter, because I still enjoy this track.  It has a fun sonic flow vaguely reminiscent of her “With Love” album.  I’m also fond of any song which harmonizes punchy vocals with the bass drum.  It’s an effect I’ve always enjoyed in music.

I Only Miss You When I Breathe

And now we’ve entered the territory of the “Side B” EP, which I, for the most part, did not enjoy.  These songs all captured the brief period of Christina’s life where she was obviously romantically wounded and everything rang of the ensuing emotional backlash.  I’m not going to shred into Christina herself for writing out her feelings about these things.  It would be unhealthy not to do such things, as they are often therapeutic.  But at the tail-end of her life, she had too many of these.

I Only Miss You When I Breathe (besides having a really gaudy name) is probably one of Christina’s weakest songs in terms of lyrics, with many recycled lines and substance which contradicted her overall character.  It talks of directly opposing the wisdom and advice of people Christina usually trusts, because she misses somebody who might not be healthy for her.

Musically the song is fine, if not particularly exciting.  It’s what I dub an “underwater” song, because it feels like you’re floating in the cold depths of the ocean.

I don’t much care for this song at all.

The Game

This song has a similar message as I Only Miss You When I Breathe, and comes from the same well of pain.  It presents more in terms of its rhyming effect and musical presentation though, which is good at least.  Also, Christina hits some killer notes in this song.

I have little to say about the flank of this album in general.  I think it has an incredibly strong front third, and a solid middle as well, but the last couple tracks (the Side B ones, especially) are underwhelming and leave the album, which has an overall strong and empowering meaning, on a distasteful note.

I care a lot about Christina and her music, which is why I am being so harsh.  My criticsm is not exclusive to her.  I am always hardest on things I care about the most, but my high opinion of her does not blind me to the places where she is lacking.  I criticize these things so harshly because I know she can do better.

Or rather, could have, if given the opportunity.  But we’ve talked enough about that.  I do love many of these new songs and will carry them with me into new days.  I will continue to fulfill the promises made a year ago, and thank God for the short time I had to learn about this person of such great compassion and heart.

Until then, God bless.

And as promised, the first one is still for you.

Final Thoughts. Christina Grimmie, the Girl with a Full Heart

Hey Team Grimmie,

I don’t know about you, but it’s been a pretty long week over here.  I am writing this final article on Christina mostly as a therapeutic measure for myself, but also because there is much I need to say.  Please forgive me if it digresses into rambling a couple times.  It’s going to be long and very honest. I’m gonna be bleeding into this one.

So after writing my original letter about Christina’s passing, I was not surprised to find that many of you had comments to share both with me and with the internet in general.  There’s one idea in particular I’d like to address right away, as it seems to be burdening a lot of your hearts, as well as my own.  There seems to be some level of internal guilt and confusion in how you should feel about missing Christina.  So many people who had never formally met her, let alone had an opportunity to be her intimate friend, have expressed genuine devastation at her untimely departure.  And most of those people seem to be wondering how that’s even possible.

11821862_857733127615620_1809018073_nFor starters we need to talk about Youtube.  We are of a generation where there’s a weird new type of relationship we can form with people via Youtube and similar video services.  Popular Youtubers aren’t like other stars in mainstream media, whose acclaim and reputation are largely independent of their fans.  If a Youtuber is well-known, it is directly because we give them attention and support.  Because of that, Youtubers tend to develop a mutual appreciation for their fans and have a deeper connection with them than normal celebrities.  The longer this goes on and the more each party learns about one another, the greater this strange bond becomes.  We feel directly tied to the vloggers we love, because our respect fundamentally must go both directions, and so we feel like even if we don’t know them personally, the person on the other end of the screen is, to some extent, our friend, brother, sister, whatever.  Sometimes a combination of things which otherwise don’t go together.  There isn’t a neat category for this relationship.

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Christina, on the set of “The Matchbreaker,” a film slated to come out later this year.

In Christina’s case, she worked very hard to be as inclusive and interactive with her fans as possible, answering our questions, hugging us at concerts, inviting us to play games online, and generally being available to talk whenever she could afford it.  Making it so you felt like friends was her goal. If you want to understand Christina a little more than just what has been recycled by the media in this last week, I encourage you to backtrack through her Youtube channel, zeldaxlove64.  I have no doubts that if you’re confused as to why so many people seem distressed over her passing, you’ll quickly come to realize that, somehow, you might miss her, too.  On my original article, I received this comment from somebody who had never heard of her before and did his research:

“How could I not know this girl existed? And now that I do know, why am I so sad that she is gone?  That’s not fair.  You can’t make me miss somebody who’s already gone.”

 

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Christina singing on “The Voice” with Ed Sheeran.

But it wasn’t just Youtube. “The Voice” requires direct input from its audience through a voting process to select its winners.  Christina might have been the performer, the one with the skills, but we were the ones who acknowledged her abilities and voted for her to win. Then, again, we helped her rise up through things like the iHeart Radio Contest and other challenges and competitive fundraisers she’d entered (she did a lot of fundraisers).  We have directly, consistently affected the outcome of her life, because we believed in what she was doing and that she deserved it.

Lastly, some people have expressed guilt at feeling like they lost “a sister,” and they regret feeling that way, probably because they think it devalues Mark’s loss, you know, since Christina was his actual sister.  I understand where you’re coming from, but please do not beat yourself up over this, either.  Mark is a mature man.  He knows better than most the kind of thoughts people had towards Christina.

Do not feel bad for your sadness, it will only make recovery take that much longer.

christina-grimmieSince writing the “Can I Say Something” article, I’ve also talked with people who personally knew Christina to some degree or another.  A childhood schoolteacher who reflected on watching Christina play with friends at recess. People who met her in concerts.  People she helped through hard times.  I even managed to find the Facebook pages of her best friends, but they were understandably unresponsive to my attempts at contact.  It’s for the best, probably.  I do not want to intrude upon their grieving.

Christina was not just a face on a screen.  She was not a distant entity, self-absorbed and narcissistic as many of today’s role models seem to be in popular media.  Christina, true to the character of her namesake, was a compassionate and aggressively selfless human being.  She was joy and hope.  She caused people to love her, with minimal effort on her part.

Now, for just a moment, I’m going to spew memories and thoughts from the past half-decade of being a proud member of Team Grimmie.

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That is a Toon Link backpack she’s wearing.

Y’all remember how often people would ask her to do her monkey noises on camera, or do her freakishly accurate imitation of Pikachu?  Remember when she said her favorite color was green, because that’s the color Link wears in The Legend of Zelda, and how she’s had a crush on him since she was, like, five years old?  Or when she went into an actual days-long grieving period after she first learned “L” dies in Deathnote (spoilers, I guess).

Not to mention the time where she casually mentioned getting engaged to a guy named Ken during a live stream after somebody asked about the ring on her finger and the collective sum of her lovestruck fans lost their minds.  The anime-goers among us sat back and reveled in her brilliantly playful deception, knowing she was talking about Tokyo Ghoul’s protagonist Ken Kaneki, who she was infatuated with just as she had been with many anime guys before him.

Or how about the bizarre vocabulary she made up and used on a daily basis, like ‘crubnuggets’, ‘squeeberries’, and deliberately misspelling normal words, like ‘yu’ and, of course, ‘frands’ (her term for all of her fans).

Or how her favorite animals were cows, her favorite candy was starburst, she had a bad habit of chewing her fingernails, and she named her keyboards after Ness and Lucas from Earthbound/Mother.  Which, naturally, are also the names she would have given to her two sons if she could have had them.

12142369_717198415081389_1611388844_nOr the time she did a vlog while studying for her LA Driver’s permit, fully knowing it wasn’t going to help her be productive at all.

Or, Christina, how about when you got “All is Vanity” tattooed on your arm because you refused to undress for the record label you earned through “The Voice.”  You wanted to do your career your way, so they dropped you.  Looking around, you clearly didn’t need their help anyways.

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Christina with Tyler Ward.

Or that time Tyler Ward had you do a Snoopy impression, and all you did was lie on the ground and stare at the sky. (By the way Christina, he wrote the most tear-wrenching song for you.  It hurts.)

Or how you ended every video with your signature and goofy “bye!”

Or when you lost your chill over the band Fun like, seventeen times.

Or that time on Twitch when one of your fans said they were auditioning for “The Voice” and was asking for advice and you went super professional on us.  Or after the terrorist attacks in France you encouraged everyone to pray right there in the middle of a match of League of Legends.  Or when you got to go mano-y-mano with “ZeRo”, the best Smash 4 player in the world (I have come to learn most of her Twitch.tv recordings have vanished).

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You could rock it when you wanted to, though.

Or how you had to psych yourself up for photo shoots at the beginning of your career, because it wasn’t intuitive for you to show yourself off or dress in high fashion.  Another note towards your modesty.

Or how you met a fan wearing an “L” jacket, who immediately gave it to you.  But of course you felt bad about simply taking it, so you traded jackets instead.

Or when you got your band to do the Harlem Shake, and the Ice Bucket Challenge.

Or how you managed to take a Drake song and completely recompose it for a nation-wide audience, casting it in a much more fulfilling tone and meaning than the original track.  This one still blows my mind a little.

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I’m sorry your momma’s not coming home, Chloe.

Or how your dog Chloe would always photobomb your videos.

Or how you broke down in front of us on multiple occasions.  Like when Pikachu was crying over Ash in Pokemon The First Movie, or when you went online just to encourage any of your fans who struggled with eating disorders or low self-esteem.

Or when we made those encouragement videos to Mama Grimmie to show support through her chemotherapy and you thanked us from the bottom of your heart.

Or when you sometimes showed your humanity.  When you’d start to doubt yourself and we’d have to pick you back up, and help you celebrate in your victories.

Or when you were interviewed and they asked what your parents thought of their fifteen-year-old daughter putting music on Youtube and your mom was horrified that some strange man would come and hurt you.

Or that one tweet you sent a couple years ago.  You know, the one where you had a dream that you died and said it was really scary and horrible.

Sorry.  Give me a second.  I need to go calm down.

You know, I have weird thoughts sometimes.  I often wonder what was going through your mind after that first bullet hit you.  I have thankfully been spared most of the visceral details (though my cursed imagination has done a swell job of filling them in for me), but we know you were hit multiple times, at least one of which was in the skull.  You did not die until over an hour later.  Somewhere in that miasma of pain and unconsciousness, how aware were you of the situation?

I like to think you knew.  I like to think the reason you didn’t pass away from the start was because you knew how devastating it would be to so many people.  I like to think you remembered recess with Sarah, Lauren, and all of your other friends, and wanted to make it through so you could go home and remind them how much you loved them.  I like to think you wanted to go brag to Mark about your recent, perfect playthrough of Ocarina of Time (which he discovered after your passing, you punk). I like to think you’d miss the nights on the tour bus, screwing around and making memories with the band, those guys who always had your back.  I like to think you couldn’t stand to leave before your mother, who had overcome four major battles against cancer to stay by your side.

I like to think your heart was breaking as you realized that, if you died in that moment, your best friends would be heartsick on their wedding days, because you would not be there to celebrate it with them.

I like to think you fought with every ounce of your body and soul to survive that attack.

I dreamed about it, actually.  Not full-sleep, you know, but that weird in-between state when your mind is tired but your heart is racing.  I saw you there in the emergency room, watching as the doctors tried to resuscitate you and stop the bleeding.  You just kept screaming no and please at the top of your lungs over and over until your face turned red and your coiled body ached.  You didn’t want to die.  You didn’t want to leave your family like that, out in the waiting room, their stomachs feeling like peeled, rotting holes.  You just kept shouting that same thing, begging, pleading for your body to move again.  After it didn’t, and your heart stopped, still you lamented.

Then, standing there in the operating room, Jesus tapped on your shoulder from behind.  He tried to get your attention, but you couldn’t hear him at first, because you wouldn’t stop screaming long enough for him to get your name out.  So he stood there in the corner and waited, with his hand pressed gingerly against his eyes to ease the pain as he watched his daughter tear herself in half under the weight of her own sorrow.  Eventually he tapped your shoulder again once you’d become too tired to scream, and your knees trembled too much to stand anymore.  Without even looking, you barreled into him and cried your heart out of your ribs, because you finally realized no matter what you wanted, you weren’t going back.

He wrapped his arms around you, pulled tight like he was the only thing left that could keep you together, and wept into your hair that way where it feels like you’re screaming as hard as possible, but it’s trapped in the back of your head and the noise comes out in broken sobs between your teeth.  That’s how he cried.

I’m so sorry.  He said, sharing your tremble as you continued to cry into him.  I’m so sorry, little one.  I promise I’ll take care of them for you.

I like to think that’s what happened.

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Christina and the band.

That scene among other imaginings have been the only things I could reliably think about for the last week.  Christina, it feels like there’s a crack in my chest, and that’s amazing, because as we’ve already discussed, I never actually knew you.  If it hurts this much just having a cursory knowledge, then I am horrified and nauseated for people who were closer to your life.  I literally do not have the emotional capacity to understand how much pain they must be in.

Mark I am especially grieved for, and not just because we are both the older brothers of one sibling.  I can’t imagine he has gotten any sleep in the last week.  He watched a man commit suicide right in front of him.  That is not an image he will ever be able to forget.

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Mark and Christina.

Let alone the sight of laying his baby sister in the ground.

You were his Player 2, his life partner.  You were his inspiration.  What is your family supposed to do now that you are gone?  Christina, you were their world.  They dropped everything in support of your dreams.

Among a million other tributes, there was a candlelight vigil to commemorate your passing.  It took a while, but I found it on Sarah’s page.  It is the only thing I am comfortable sharing of hers, because that was technically a public event.  (Sarah, if you ever read this article, please forgive me.  I might have walked through your personal memories a little.  I wanted to see Christina through the eyes of her best friend.  I get it now.  I already knew you were cool because of your Above All That is Random videos, but it never really hit home exactly how precious you were to one another.  And Lauren, if you see this, thank you for convincing Christina to be brave enough to sing online.  Considering how shy she was, without you guys, she might never have pursued her dream.)

Christina, you were surrounded by wonderful people.

Christina-Grimmie-vigil_CNNPHOne of the first to give their piece at the vigil was your friend Pete, and the most memorable thing he said was that no matter how much success you found, you never changed.  He reflected on the times you spent Christmas caroling, dancing, and making campfire memories. Then Sarah and Lauren got up there and spoke the lyrics to Switchfoot’s “This is Home,” which I came to learn is a song you wanted to sing for them during the Homecoming Week on “The Voice,” but you couldn’t get it legally passed in time, so you settled for “Some Nights” by Fun.  Amazing foresight you had, to dedicate a song to your best friends about finally going to Heaven.

Then Mark got up to talk.  I was absolutely floored by what he said, because it was only partly about you.  He took a moment to speak about the Orlando shooting that followed the night of your death, and how, unlike you, the victims of those families do not have the convenience of a GoFundMe campaign which raised over 180,000 dollars.  Those victims didn’t have Adam Levine offering to pay for their funerals.  They didn’t have dozens of people paying them tribute by name, like Switchfoot, Justin Bieber, Nick Jonas, Soren Bjergsen, or Christina Aguilera.  I mean, Selena Gomez broke down on stage while singing a Hillsong track.  Nintendo held a moment of silence at E3.  You know how many people get that who aren’t game developers?  Zero.  Only you.  Even the LCS (official League of Legends organization for America) tipped their hat to you.

Mark wanted us to know the victims in Orlando need our love just as much as we’ve given it to you. He used your death as a pedestal to remind people the importance of praying and showing compassion to others.  So it wasn’t just you.  The entire Grimmie family is of exceptional character.

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Mama Grimmie and Little Grimmie.

After you passed away, Mark said something else on social media.  He wanted everyone to know the last thing you were doing before you got attacked.  To Kevin James Loibl, the man who would be your murderer, you welcomed him with arms wide and inviting.  Some critics will say that was a sign of naivety.  Those critics do not understand the power of unconditional acceptance.

So I must reiterate from my first article: please do not hate mister Loibl.  I have already seen plenty of what people have to think of him, and it terrifies me, because even though we have a motive for his actions now, there still seems to be no compassion for him.  Instead, people wish horrible, cruel things on him, his soul, and his family, as if it weren’t that same insensitivity which create men like Kevin Loibl in the first place.  By continuing to perpetuate this spirit of unforgiveness, you increase the likelihood that the ‘next Christina Grimmie’ will die similarly.

It is a condition I see being played out in real-time every single day, so please be good to one another.

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Christina with “Faker,” the best League of Legends player in the world.  Note the Tokyo Ghoul t-shirt.

Whenever I’ve been asked if I had a celebrity crush, I always defaulted to you.  That has never really been accurate.  I just couldn’t think of any other way to describe why I was so fond of somebody I’d never met.  My feelings weren’t as much romantic as they were a platonic, fantastical admiration, though I’d be lying if I said the former was completely absent (refer to the beginning of the article again for why Youtube personalities don’t fit neatly into one category).

Something about your innocence and genuineness made me want to protect you, which is terrible, since that was kind of impossible.  So at first, I prayed a lot, and that was the extent of my protection.

But I think somewhere in my spirit, I knew you were in danger.  Earlier this year, I had this dreadful feeling I couldn’t shake.  That’s why I started fasting so much.  Every tour, I told myself I would fast one week for you.  I did it at the beginning of the Rachel Platten tour, and then again for the entire month of April.  That was a very difficult month, but I couldn’t help except to continue.  Somewhere deep inside of me, there was an aching need for you to be okay, not only physically, but emotionally and spiritually as well.  I knew you were changing the world, and I know from experience that the world would try to change you instead.

12825999_518679678340739_1362659454_nI try not to dwell on the fact that I started my fast for the Before You Exit tour several days late.  I try not to think about how I thought it’s okay, she’s got this, she’s been safe on all the other tours.  I should have already been done with that fast, but I was only on day three when I got the news you’d been shot.  I try not to think it was at least partly my fault for being so lenient and starting so late.  I try not to think about how I began bargaining with God, because I know that’s not how it works, but I couldn’t help it.

I try not to think about any of that.  I’m sorry I couldn’t protect you.

11875567_523604097797526_1039453844_nI’d lost at least a hundred hours of sleep to you even before you passed away.  Overactive imagination.  I wish I could detail it all here, but that’s just not feasible.  I thought about how one day I was going to have daughters, and I’d take them to your concert and introduce them to you.  They’d be your biggest fans, and I couldn’t be more proud, because you were the kind of role model I wanted them to have.  You always said the thing you cared about most was that you were a positive influence on others.

I thought about you opening presents on Christmas with your toddler sons.  You’d buy Lucas his first keyboard, which Ness would end up liking more than him.  Lucas would eventually feel isolated because he wasn’t good at music like his mother, brother, and (probably) father, but you’d help him find what he loved.  Ness would cling to you like you were the entire world and watch you play piano for hours.  No matter how old they got, or whatever bad decisions they made, they would always know you loved them.

You would have been a great mother.

I think about how I made that stupid plan.  Operation: Prisma I called it, because, you know, I’m excessively dramatic.  Prisma, because, as I put it, you were “refractory, the prism by which all lights must pass through to find their colors.”  In it, I outlined how I would become an author, and then after I was popular enough, I’d join a team for an anime and we’d have you do the theme song.  Or, if the anime didn’t work, then a video game where you could be the lead voice actress.  I didn’t want to do any of this for some convoluted agenda.  I just desperately wanted to find some way I could be your friend.

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Christina with Colton Dixon. Colton’s song “Never Gone” has helped me a lot, lately.

Since the day I found you, you were always the kind of friend I’d dreamed of having.  You were the composite of everything I liked about people.  Now that you’re gone, I’m scared I’ll never find that again.  Even if I couldn’t sing, I’d been practicing a lot just in case I had the opportunity to sing with you.  I was keeping a pocket of my heart open for the unimaginable.  I’d fallen into your gravity, as many others had as well.

But as life is fond of enforcing, plans have changed.  I can’t even listen to music the same way anymore, as all of the songs are being re-written one by one, with your heart between the lyrics.

So, here’s the new plan: I’m going to do the best I can.  I’m not like you, with your inherent, bubbly enthusiasm, but I want to adopt some of that peace you kept in your soul.  I want to expand my faith, I want to trust others more openly, even if it’s not easy.  I’ll work at being less cynical, less critical.  I’m going to grow stronger, read my Bible more, and smile as much as possible.  I’m going to write and write and write until I write something that you would have loved.  Then I’m going to go and get it published, no matter how many rejections I have to wade through, and when they ask what I want to put on that very first page of my very first novel, it’s going to read:

“As promised, the first one’s for you.

To Christina Grimmie, the Girl with a Full Heart.”

The more I think about it, I’m not surprised you died as early as you did.  Our world cannot tolerate such bright lights strutting their stuff all across its four corners.  You were too loud for its tastes, making too much of a difference too quickly.  Through your Christ-like behavior and worship of the Father, you gave people strength to break addictions, overcome depression, and love themselves when they no longer wanted to love anything, least of all themselves.  In hindsight, it seems only natural that the world would long to get rid of you.

That is what happened to the Son, after all.

11191196_1590726394526482_1880354736_nIf you’d been told you were going to die when you did, I’m not sure you would have lived your life any differently.  Even though I know it’s not my place, a part of me wishes I could mourn and talk with your family.  But I don’t see that happening, so I’ll just have to pray for them and lend my support any way I can.  Maybe some day I’ll accidentally bump into Mark.  That would be awesome.

To whoever made it all the way to the end of this long piece, I implore you to pray.  Pray for Christina’s family, pray for her friends, her community, everyone who held her dearly.  Pray for the victims in Orlando, and that we might someday find a way to cut down on so much unnecessary bloodshed.

When life hits you hard, don’t shut out the pain.  Christina lived her entire life in suspense that cancer would finally take her mother away, but she still lived as brilliantly and joyfully as if cancer had never touched her life at all.  Please do not medicate or drink away your sadness.  Those feelings are important.  How else are we supposed to mature in empathy, if we run away from it?

Should I happen to leave this world in an untimely way, I’ll make sure to remind Christina how much everybody loved her.  If any of you happen to go prematurely, please do the same.  Also, tell her I said not to make any of the angels jealous of her awesomely superior singing ability.  She’ll probably blush, but say it anyways.

All across the internet there are stories of people who never knew Christina, but are coming to the Lord through her testimony and life.  There are people with broken hearts being healed, and even more are finding strength and inspiration to make more of themselves than they would have done otherwise.  People from Europe, Australia, Africa, and beyond.  So congratulations, Christina.  You did it.  In only twenty-two years, through living, and in dying, you have changed the world.

Now, with a personal tweak on your own lyrics:

“I’m letting you go.  I just want you to know, I’ll think of you.”

Thanks again, Christina, and I’ll see you later.

P.S. Hey dummy, you know that new Legend of Zelda game you were waiting so long for?  They finally announced they’re calling it The Breath of the Wild.  It looks awesome.  You would have loved it.

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