“Each and Every Phantom” Now Available in Paperback!

Checking in really quick just to say that my short story anthology, “Each and Every Phantom” finally had its paperback version go live on Amazon. Below is a synopsis and link. 🙂


“From the classic ghost story to a team of toys that defend the dreams of children, “Each and Every Phantom” explores tales rotating around different kinds of spirits. Within these narratives can be found the dreams of the dead, a haunted ship, the echo of a suicide, a family who struggles to stay together even after death, and more.This debut anthology is perfect for a little kick of Halloween in Winter, with pockets of adventurous whimsy and emotional turbulence woven throughout.”

Featured stories include:

“The Priestess”
“Dream Brigade”
“The Fangs of March”
“Brother, My Brother”
“The Stardust Mirror”


https://www.amazon.com/Each-Every-Phantom-Short-Anthology/dp/1797681400/ref=sr_1_2?crid=2GFYT0CJNY1S1&keywords=each+and+every+phantom&qid=1553859761&s=gateway&sprefix=each+and+every%2Caps%2C165&sr=8-2

“Brother, My Brother” – Original Horror Short Story

Mama-2013Willa was born to Andrew and Annie Foreman in the winter of ‘93, only months before they’d put a down payment on their first house.  She was a spirited thing.  Annie always jested their daughter was to be the second coming of Karen Carpenter, for she had a humble, stirring voice and was never short of hitting everything in arm’s reach. Willa was prone to smiling, carrying herself with the firstfruits of a southern belle, and laughing at everything in the childlike freedom that came with not needing to worry about whether it was appropriate.

‘99 was not a good year.  Andrew found himself downsized from his position at the laundering press where he’d just begun to think he’d made enough leeway to begin an ascent up the ladder.  The couple grimly entertained the idea of foreclosing on their home of six years, when fate made the decision in their stead.  Andrew and Annie were on a date when they’d received a call from the baby sitter about a smell of gas.  Nothing major, so Andrew dismissed it.  She was likely mistaking the smell for electric burn, since the heaters were just turning on for the first time since autumn.  He instructed her to close up whichever room was the culprit, and decided he’d take a look when he got home.

An hour later half the house went up.  The babysitter was cursed with winding, third-degree burns.  They held Willa’s funeral procession four days after the accident.

“It’s okay, it’s okay,” well-meaning family would console, “She’s in a better place now.”

It was an exercise in tolerance mostly, for Andrew to refrain from rolling his eyes at their ignorant sentiments.  ‘A better place’ was not here.  ‘It’s okay’ was not I’m sorry you lost your daughter.

Of course, they would try again for a child, eventually.  If not before Andrew and Annie shared some bouts against some new, fledgling demons.

“Hon,” Annie came home from work one day, “Why is there alcohol in the basement fridge?”

“I dunno,” Andrew shrugged, head already half-inebriated from the second bottle of scotch.  “Just felt like something worth getting.”

Her expression was equal parts understanding, and kindling fear, though it was hard to tell if something else might be hiding beneath the miserable, grey swathes under her eyes.  “You haven’t had a drink since college.”

Andrew shrugged again.  That was his response for the first few months, before he started getting violent.  To his grace, he’d managed to pull back from the habit before doing any irreparable damage to his world.  He almost hit Annie.  Almost.  The sober part of his pride drew a line in the sand, and he killed the vice where it stood.  The following week of cold turkey was an affliction unlike any he’d endured in years, but he made it through on his mind’s recycled fiction where his daughter kept asking him why he hit mommy.  That illusion, that salvation, was convicting enough to recover from the brink.

Annie’s demon was a bit more stubborn, as it was fond of being a quiet, personal apocalypse.

In the beginning, Annie wept a lot.  Then not at all.  Hours of sleep would be sacrificed to restlessness, only to be answered by days of bed-ridden apathy and slumber.  Andrew hadn’t thought much of this, as his behaviors were much the same, albeit less extreme.  Annie was saddened by the loss of Willa, but of course she would be.  It was her daughter.  Perfect, perky Willa stolen away in one fiery blast.  But ‘saddened,’ Andrew eventually decided, was a pitiful and inadequate term.  Annie was not saddened, she was obliterated.

Andrew thought he’d been grieving hard over the loss, but in comparison to his wife, he was merely inconvenienced.

It didn’t really strike home until Annie tried to kill herself.

Andrew returned from a day of job searching to find his wife seizing on the bathroom floor, a bottle of Tramadol empty of its guts in the sink.  Through her gasps, convulsions, and implosive spasms, Andrew eventually managed to shove his hand down Annie’s throat, upending the drug in one ugly, caustic purge.

After a trip to the hospital to make sure she would be able to filter out what of the substance her body had already broken down, Annie and Andrew both promptly went to recovery therapy, Annie for her depressive grief, Andrew to figure out how he might better help his wife.  It was a slow crawl, but over a year, they saw progress.

Around that same time, Annie became pregnant again.

It had no reason to be a surprise, but the shock met them anyways.  Nonetheless, the months traveled by in relative tranquility.  As Annie’s belly swelled and grew taut, Andrew finally found a substantial source of income and they were able to trade their one bedroom apartment for a condominium on the far side of town, closer to Andrew’s place of work.

Appointments came and went like the tide.  The baby was healthy.  The baby was a boy.  They named the baby Shae.

Little Willa thought Shae was a wonderful name.

Shae was born to Andrew and Annie Foreman in the summer of ‘01.  He was a quiet thing.  Andrew would have remarked how his son might have been the second coming of a great athlete, or perhaps something academic, like a surgeon or attorney.  But Drew had far too much on his mind to concern himself over something like that.

Nowadays, it was all the couple could do to make sure Willa did not take their son away.

In the delivery room, Annie’s life had nearly gone forfeit.  Shae was hard on her body, exacting more than one technical complication during the procedure.  It was a hideous eight hours spent in that room, a seemingly timeless miasma of physical and emotional strife for everybody present.  You’d think a complicated delivery would be the worst of it.

Minutes after Shae had finally been evacuated and placed in the doctor’s hands for sanitation and all other medical protocol, Annie shrieked in terror, stiff-arming one finger towards the foot of her bed, eyes peeled back in an alertness uncommon to those who’ve just delivered.

Everybody turned, but only Andrew saw.  A nine-tailed hook caught his stomach at the sight of his daughter. It struck with such vigor that his subsequent throttle backwards into the wall nearly brought a nurse down with him.

Willa stood idly at the foot of Annie’s bed, watching her mother, seemingly undeterred by the aghast drain of color in her mother’s face.

Their daughter wore the same outfit as the day she died.  Black overalls on top of a baby-blue longsleeve shirt, embroidered with stars and whorls of white.  The skin beneath was mangled and bloodless, her complexion so ashen you might actually mistake it for the namesake of the word.  Burn scars clawed against her face and arms like brambles, skin ripped up and then melted down into a new geometry.  One eye had been sealed shut by the skin around it, which had dripped in its molten state and apparently cooled into a mask afterwards.  The hair, the beautiful hair Willa got from her mother, was inexplicably perfect in shape, albeit grey as a chimney pyre.

“What’s the matter?”  The lead doctor asked Annie, who was still stricken with terror for the undead girl at her feet.  He followed her finger again, back and forth, looking for the subject of her attention.  It was evident he saw nothing.

Annie began to babble, scream, and cry.  She kicked and drew her feet back despite the pain parading through her legs, core, everything.

Andrew, on the other hand, was a little more composed.  He simply recycled the same handful of choice words until they’d become something of an obsessive chant.

As could be expected, the doctors didn’t know how to handle this sudden onset of insanity among the new parents.  They exchanged glances with one another, fear, confusion, and helplessness thick in the way their brows furrowed and hands trapezed through the open air.

Willa turned to face her father.  The marring of her scars pulled down on the lips a little, making a subtle, perpetual frown.  Her one good eye was the same lattice of gold and brown she’d always had, which felt more like an insult to her absent mortality than a grace.  She cocked her head to the side, burned skin straining against her jaw and neck.  Without flourish, she looked up.

A nurse walked into the room, Shae in hand, blood having been swabbed and cleaned from his newborn body.  He was a ripe pink, with a peacefulness on his face to betray the journey he’d endured only moments before.

“Brother, my brother.”  Willa said through a filtered voice as though her throat was full of sediment and moss.

The panicking continued.  The swearing continued.  The confusion continued.  When they tried to explain the apparition by their bedside, even when it was both parents united under one front, their words fell upon ears of ignorance.  To their relief and perplexity, the phantom girl left shortly after, flickering out of existence with just as much haste as she’d come.

If not for their mutual experience of the event, both mother and father might have thought the other mentally unsound.

They left the hospital a couple days later with Shae, and a stark recommendation to wring out their nerves.  For a period, Willa did not return.

No, when she did decide to make visits, they were frequent and without pattern.  One night, Annie might walk in on Willa standing over Shae’s crib, watching her brother.  Possessing over him, you could argue, as one might when they were watching something very intently, observing change.  Watching an hourglass.  Then she’d depart for days, weeks, months without trace or mark upon the world.  That is, other than the deep wounds of confusion she left on her parents’ hearts.

Never in the first four years of Shae’s life were Andrew and Annie able to figure out why their daughter plagued them, let alone how.  She was a walking denial of most philosophies and theologies, so seeking advice from therapists and clergymen was as fruitful as the parents could have expected.  Time and again they were met with scoffing, gentle skepticism, and invitations to find help (with someone else).  A considerate ear, even a humorous ear would have been a great relief, but all were in woefully short supply.

Willa did not speak much.  Only a handful of phrases, each sounding as though the girl had just finished drowning only a moment earlier.  “Brother, my brother” seemed to be her favorite, but there were others.  “I’m here for you,” and “You have such a pretty name, Shae,” and “Shh, shh” whenever he would cry.  Once, when Annie was breastfeeding, Willa appeared and asked “why did you never do that for me?”

That was the first time Annie screamed, not because of Willa, but instead, at her.  “What do you want from us?”  Then, having already found her brave anger, “Leave us alone!”

If this bothered the spirit girl at all, she betrayed nothing.  Instead Willa walked forward until face-to-face with her mother.

“I’m lonely here.”  Willa said.  She looked at Shae, then back to her mother.

Willa did not return for months after that, but she didn’t need to.  The unspoken ultimatum lingered behind with Annie, who, being unable to shoulder the burden alone, spilled it onto her husband as well.  Their daughter—no, they could no longer think of it as their daughter.  This creature, whatever crooked thing it might be, was not Willa.  It was a spectral perversion of something beautiful.  Their shining, smiling little girl, now cold, lips frozen into a melted frown.

It was not Willa.  But it did want to take their son away.

The day Shae turned six, the same age Willa was when she passed, the demon appeared again.  It had been so long since they last saw the corruption of their daughter, both Andrew and Annie thought she might have been gone forever.  They knew in their bellies that she was not, but they’d hoped.  They hoped in vain.

At the park, amongst his friends, Shae was made conscious of a strange girl.  He’d never met this girl, but somehow recognized her all the same.  She was funny-looking, at didn’t take her eyes off him for a very long time.

Andrew certainly recognized Willa, because he hated the masquerade that she was.  As every time before, she was a ghost among the rest, incorporeal and imperceptible to the ignorant passersby.

“Willa!” Andrew yelled, more to distract her than anything.  Willa did not acknowledge her father, and Shae seemed so enraptured by the girl with the burns to even notice he’d said anything.

“Brother, my brother,” Willa said, sadly peaceful.  “Want to come and play with me?”

She reached out a hand to be taken.  It was wrinkled and grey, with singed fingernails, black at the bases.

Shae seemed to regard the hand as something with a mysterious, curious quality.  Andrew saw in his son’s eyes the desire to take hold, if only to know what it felt like.  Andrew sprinted at them from his place among the other parents, and managed to intervene just as Shae started reaching for the hand.  He pulled his son up off the ground and spun him away from Willa.  There was a crowd watching, uncomfortable and written with concern, witnessing the father and son’s game of charade.

“Get the hell away from my son!” Andrew snapped at the girl, her one open eye irritated and unimpressed.

Gasps filled the air around them, onlookers aghast.  Andrew blinked and Willa was gone, replaced by another little girl, one of Shae’s friends from the party.

It was not a simple task convincing the parents that he was right of mind, and frankly, Andrew did not care if they believed him.  No, his concern was that Shae was now aware of Willa’s existence, even if he did not fully understand who she was, or what she was supposed to be.

Andrew and Annie did not even understand what she was supposed to be.  But still, they took his questions in stride, mostly to gloss over the mounting curiosity with each successive prompt.

“Who was that, dad?” and “Why did she call me her brother?” and “She looked hurt, why didn’t we help her?” and “Why shouldn’t I touch her?”

“Because she’s a stranger, honey,” Annie would cup Shae’s face, “We don’t talk to strangers, remember?”

“But you know her,” Shae would rebuff, “I’ve heard you and dad talk about her.  You said her name is Willa.”

To make things worse, he started to learn.  Annie remembered catching her son watching a movie on television, Tim Burton’s Corpse Bride.  In it, he saw dead people, their skin a similar complexion as the ghost girl from the park. They didn’t talk about it, but Annie knew her son was putting pieces together in his mind, threading a large, supernatural tapestry.  That girl he saw in the park on his birthday was dead.  His dead sister, maybe?  That’s why nobody else could see her.  That’s why mom and dad were scared of her, because she’s a ghost and ghosts are supposed to be scary.  But Willa seemed nice.  She only wanted to play.  I like to play.

Willa showed up again only a week or two later.  Shae was sitting in the back seat of the car on their return trip from the grocery store.  In his hands, he fumbled with a toy replica of Sully from Monsters Inc.  Willa materialized in the open back seat, hands folded neatly in her lap, regarding her brother.

Annie jolted for a moment when she saw the apparition in the rearview mirror, but managed to compose herself.  She reached over to Andrew in the driver’s seat, tapped him on the arm, and gave him a look of deliberate intensity.  Her eyes cut to Willa.  Andrew followed them.  He looked back at his wife and nodded.

“Good afternoon, Willa,” Andrew smiled.  “How are you?”

The specter turned its attention on the parents, face placid and wreathed in old wounds.

“I’m lonely,” Willa said.  She turned back to Shae.  “Would you like to play?”

“Willa,” Annie said, “I’d like to play.”

Again, the Willa spirit faced her mother.  Her one eyebrow knotted.

“I would like to play,” Annie’s voice shook, but she managed.  They’d practiced.  She could do this, she knew.  “What do you want to play?”

Willa blinked with her one eye.  It was a slow, consuming blink.  “I…don’t know.”

Shae watched on with that same morbid curiosity that followed everything involving Willa.

“You always liked to sing,” Annie pressed play on a CD in the car.  Journey began to invade the airspace.  It was something Andrew and Annie would often play during car rides, and so Willa had grown accustomed to it while she was alive.  She enjoyed singing along, especially to the tune “Don’t stop believin’.”

If ever Willa had seemed staggered, it was now.  There seemed to be an unsettling conflict within her, a typhoon of the child she had been versus the monster she’d inexplicably become in death.  Her mouth opened with a word, she closed it, that word lost to the void.

“Why?” She said after a lull.

Annie looked over at Andrew.  The bump of the car as it crossed between roads and the existence of a world outside the vehicle was all but forgotten, sacrificed for the sake of focus.

“Why what, sweetie?”  Andrew said.

Willa shook her head and made a low tumble in her chest.  “Why would I like to sing?”

Annie smiled, and was surprised by the genuineness of it.  “Because,” she said, “you’ve always had a beautiful voice.”

Shae’s means of staring at Willa was so severe it was borderline frightening.  But his parents had talked about this, too.  They talked to him, told him about his sister.  “Hi, Willa,” he said, not smiling, but not frowning, “I want to hear you sing.”  He turned to his parents.  “Can I hear her sing?”

Andrew nodded.  “Only if she wants to, bud.”

Willa’s lips pursed, her one eye darting around the car seat in front of her, as though looking for an instruction on how she should behave.  “But,” she garbled, “How?”

“Like this,” Andrew said, picking up the lyrics, lifting the timbre and cadence of his throat.  “Just a small town girl, living in a lonely world…”

“She took the midnight train,” Annie rested a hand to her chest, projecting her voice, “Going anywhere.”

They began to sing together.  Eventually Shae joined with them.  Willa cast suspicious, but hopeful glances among everyone in the car.  Then finally, when the chorus arrived, she joined.  It was a creaking, skidding ensemble, but she sang.  Her throat rattled as though filled with lead bubbles, but she found the enthusiasm.  The skin outlining her mouth was taut when she drew it wide to sing, but it did not rip like one might suspect it would by appearance.

“You sing really well,” Shae said, “I think you have a pretty voice.”

Sad admiration, or perhaps longing for appreciation, filled the girl’s dead face.  “You think so?”

“Yes,” Shae smiled.  It was not a smile on the hinge of bravery, or clambering to satisfy.  It was a wide, I want you to believe this because it’s true sort of smile.

Willa did not smile.  She looked back to the front, Annie waiting to meet her gaze.

“I’m lonely,” she said.

Annie shook her head.  “You can’t take Shae-”

Willa’s attention grew sharp and cold.

“-but you can come and play with him whenever you want.  You are still our daughter,” Annie said.  “We want to love you again.  We want you with us.”

“Can I,” Willa chewed her lip, a film of black around her gums, “Just stay?”

Annie blanked and screwed her eyes onto Andrew.  He hesitated, attention fiercely locked on the road, mind a million miles away.

“Of course you can,” Andrew said after a few beats.  “If you give us a few days, we’ll put together a room for you.  We can have dinner as a family again, all four of us.”

A satisfactory script of trust deployed across Willa’s face, her scars fighting against the upturned curl in her lips.  “Okay.”  She nodded, a small vein of moisture in one eye.

Then she was gone.

As promised, Andrew and Annie started making up the spare bedroom to be Willa’s.  They weren’t sure what they were doing, or how, but they’d figure out a way to make it work.  Maybe she wasn’t as she used to be, but it was still their Willa, and they would love her the best they could.  They ought to consider themselves fortunate.  Not every family gets their daughter back.

Even if she couldn’t eat.  Even if she couldn’t sing.  Even if sometimes Andrew would wake up to her, standing at his bedside, watching him sleep.  Even if she still reached out to Shae sometimes, as though some demon controlled her fingers, demanding that she try to steal him away, her expression estranged and like steel.  Shae knew not to take Willa’s hand when she became like this, but the curiosity in his eyes could not be dodged.  It was all his parent’s could do to alleviate his interest.  Willa was good, they would say, but she was not entirely herself.  Something wanted to drag them to a dark place where nobody returned.

Willa and Shae were happy with their parents, Andrew and Annie Foreman, in the winter of ‘07.

Only God knows how long that was going to last.

30 Day SFFH Writing Challenge

il_570xN_858552710_ik89The following is a list of 30 custom-made writing prompts, designed to invoke principles of science-fiction, fantasy, and horror in their creation.  There is no hard and fast length requirement, but I recommend a minimum of 300 words per entry.  Any prompt designating “you” as the protagonist is not necessarily restricted to the first-person and can be headed by any character of your choice.  Preferably one of your own design, of course.

  1. Write a story in which horticulture could be destructive or abused on a global or personal level.
  2. You wake up and suddenly you have a new twin!  Umm…where did they come from?  Also, why are they so angry?
  3. Using omniscient POV, write a story in which you must escape from the Roman Space Coliseum.
  4. A new culture of people is discovered hidden literally underneath America.  Facial hair is a big deal to them.  Why?  What does it mean for the women?
  5. What is that thing looking at you from the bottom of the basement stairs?
  6. A powerful mage has caused it to rain acid.  In a medieval setting, you must talk down a character who has lost hope and is threatening to take their own life.
  7. Three (in)famous writers will grant your wish to bring their characters into your world for the day.  Write the conversation you have with the writers, detailing the vehicle of your decision-making.  Use dialogue to navigate most of the story.
  8. A woman with full control over her mental faculties decides to kill her daughter.  You must write why we should empathize with this person, post-offense.
  9. The main character of your last story (whether from #8 or something else altogether) is now a witch/wizard.  They want to save the world, but should they?  Run them through a strict Q&A about their aptitude for world-saving.
  10. The world was legitimately supposed to end yesterday.  It didn’t.  Write the aftermath of people now acclimating to the fact that their lives are not over and that they must now return to their usual work day.
  11. You’ve inherited Tony Stark’s standard “Ironman” suit.  What’s the first thing you do with your newfound abilities?
  12. Oh my god, you’re in a hotel and something wants to kill you.
  13. You might have just stolen the Philosopher’s Stone from the tomb of Nicholas Flamel.  Now, with immortality in your hands, you are able to live forever.  Describe what you are doing four hundred years from now.
  14. Camping with your friends in the woods, your sleep is interrupted by the sound of someone or something trying to unzip your tent.  Who/what is trying to get inside, and why?
  15. You witness the destruction of an internationally renown zeppelin.  The next day, you are arrested as primary suspect in the crime.  How do you plead?  Do you even stick around to find out, or do you try to run?
  16. Onboard a space voyaging ship, your crew prepares to celebrate the birthday of the captain.  You’re in the void of the universe and haven’t made a stop in weeks, but he’s disappeared and there’s no sign of him on the ship.  What happened to him?
  17. You’ve been invited to Mt. Olympus to cheer up Zeus, who has officially been friend-zoned by all of the goddesses.  Can you help him set up a date, or will you take another course of action?
  18. In a city of perpetual night, you are assigned by your team leader to do a dead drop for the new recruit.  You must decide what goes wrong and how it plays out accordingly.
  19. Congratulations!  For whatever reason, you’re in the crowd when Oprah decides to give everybody a pet dragon.  Write about your first day together.
  20. You know that one celebrity you have a huge crush on?  Well, they died.  Except now their soul lives on as a sentient app for your cellphone.  In 30 days, they will disappear forever.  What do you do with this time?
  21. It has been scientifically, spiritually, and physically proven that our reality is a simulation and is going to shut down at the end of the year.  What happens to the world now that the masses are aware of this approaching, ultimate conclusion?
  22. You broke up with your boyfriend/girlfriend.  They took it pretty hard.  Sucks for you, because they are a ninja and you must figure out some way to resolve this problem before they take you out.
  23. You are locked in a toy store for the night.  The toys are alive.  Write a story about what happens until the sun rises.
  24. A professional, virtual-reality, video game team has recruited you.  Describe your first tournament match in the virtual-reality arena.  How do you feel?  How do you perform?  What opinions do others form of you?
  25. Cupid needs a day off and you’re the fill-in.  You need to make at least three new couples by the end of the day, or by the time you’re done you will never be able to fall in love again.
  26. You’re running a daycare when seven new kids are dropped off into your care.  Each of them represents and perpetuates the characteristics of one of the Seven Deadly Sins.  You already have five kids in your care before this development and you are entirely on your own.  Survive.
  27. A supernatural virus has doomed your body.  Describe its influence on your mind and flesh as you slowly become consumed by its corrupting power.  Bonus points if the entire story takes place in one room.
  28. North Korea has created a giant robot (science-fiction for multiple reasons, clearly).  How does the world respond to this?
  29. You possess a special kind of magic in which whomever you paint a portrait of, you trap their soul inside of it.  Addicted to your power, you’ve become a novelty-person’s collector.  Who do you collect?  Write a story in which you explore this idea.
  30. Begin a story with the words “I will not die the monster.”

“The Drums” – Short Story

There was rain. On a Hallows’ Eve, that meant something. In the shadows of the manor Whitewine, it meant something more. Whitewine was a cobweb of antiquity, and one could swear it was that way from the beginning. But there had been people once. A family of five and however many generations preceded them. Noel was a Whitewine, so she knew it to be true, even if that was long ago and time had since filled the manor with desolation. Noel was trusting and altogether knowledgeable in the stations most considered worth having knowledge. But she was also young, frightfully empathetic, and tonight, very much alone.

There was rain and it came hard. Against the ceramic shingle rooftop of the manor, it struck like an army of drummers. This was a good thing. The drone of their fall helped muffle each creak in the aged manor floor as Noel stepped within. It muted her imagination, which would have otherwise suggested there was somebody walking through the upstairs. But Noel’s mind was prone to remembering, and it remembered awful things at the worst of times. Whitewine was a family, one of her own blood. And in a time before hers, they were considered very much unholy. She would never have thought to thank the rain, because she underestimated its kindness. For without the rain, she would have heard the moans from the basement cellar. Moans very real, despite her being alone.

There was rain, but soon it might stop. Nobody was allowed in the manor without rain’s company, especially during the after dark hours. Noel knew this, but decided to take the risk regardless. The family Whitewine was notorious for their business of stealing people. Noel had learned such in the news columns of decades passed. When finally the family had been caught in evidential movements and the manor was searched for missing persons, the town militia did not understand how sundered the minds of Whitewine truly were. Their discovery led them to a home for bones and things which bled out slowly. The kidnapped persons were not wholly themselves any longer. Through rigorous and generous torture, only parts of their minds and bodies remained intact. Many were stripped nude, strung up by manacles in the cold cellar until their feet had gone black and flaky. They would beat their heads back against the cellar wall, trying to lull themselves into death. Some succeeded, others simply cracked their brains. Some were missing their tongues, eyes, lips, or ears, later found assorted in the children’s bedrooms. There were worse things than this, things that would make the devil proud, but those memories were dark and the worst representations of man, so Noel dutifully tried to forget them. But these crimes were not easily forgotten. Not by man, by God, or by time.

There was rain, and it made the air cold. Noel wondered sometimes if God forgave people like these. Did Heaven also delight in their company? She was unsure what to think of it all. But that wasn’t important now. The manor was important. Basking in its history and acclimating to its macabre silence. Except it wasn’t silent. There was always a sound of drums. The rain now making earth its pasture. There was something more to the noise, but it was lost in the rain, to her benefit. Young Noel would find the Whitewine legacy on her own very soon. Once the dust guided her down to the cellar. All in time, all in time.

Still there was rain, but it was drawing to a close. The yearning patter began to crawl to a stop, leaving all natural life refreshed and thankful. In this saturated world, hope was as alive as it sounded. And that was beautiful. But though the rain reached the manor, it held no cure for the bitter memories within. Those memories of pain and hatred and cruelty of the greatest sort. Noel remembered them from her readings, and for years her imagination had played with her, trained her for this moment. This was not good, nor beautiful, as she would soon find out. Not that she expected different from God’s worst sinners. But within her dark dreams came a whistle, something entirely unexpected because of its ferocity. Dread crept onto her the way only it knew how. With a smile and slow courtesy. The whistle was not in her mind, like she first believed it might have been. It came from the boards between her feet, twenty feet into a grave of the earth and the black heart of the Whitewine manor. Noel flinched and stepped forward, quickly finding the door to the basement cellar.

The rain died and ceased its pounding. The new absence reminded Noel of an old heart, finally giving up its struggle. There was quiet, but only for a moment, until the girl reached for the cellar door. As she did, the drums dawned again. Rather, she only finally began to hear what had always been. These drums belonged more than the rain and it was their right to stay. They thudded like a dull fist striking a table and echoed twice as deep. Noel spun the knob and yanked open the door. She was welcomed by a years-old stink. Something like wood rot and disease. The clouded light from outside filled in the cellar as she descended. There were windows, veiled by the webs of a hundred dead spiders, and everything was of tattered stone. It looked and smelled as unhallowed as she’d imagined. But the drums were different. They were a raw beat, unsettlingly alive and visceral. With the bravery of a fool, Noel began to search for that rhythm growing ever louder.

There was no rain, but still the drums sounded. As she lurked ahead, Noel was increasingly aware of her thin frailty. She was a scarecrow. All straw and thread, no spine or substance. But the drums had her. For a breath she reconsidered if it wasn’t all in her mind. That would be simple and explanative, but it would also be very untrue. In the furthest back, towards the darkest end of the basement, she found a man in suffering. Iron shackles arrested him, and they lay at his sides. Noel cringed at the slope of his body. It was as though his spine had been pulled apart and fastened into a stretch, with only his upper torso and head supported by the cellar wall. An unsettling gray crust had baked over his skin, while his jaw seemed broken and slack, swaying back and forth with each toss of his head. Both of his manacles were affixed by chain and nail to a slab of wood behind his head, forever preventing escape. Noel shivered.

Where was the rain? She wanted it back. Again and again the dead man would crack its head against the wood. It was a dull thump, thump filled with resigned defeat, something Noel took to mean that he’d wanted to die for so long, only for death to never come. Thump, thump it continued, just like the rain. Thump, thump went the drums. It quickly became too much. Maybe Noel cast herself away from that horror, that godless tomb. She couldn’t remember, even years later. Again she tried to counsel herself into believing that the Whitewine’s sins had long since ended. The dead man was just as he was, dead. A disaster of her mind, fabricated from long nights of reading Whitewine lore. It didn’t really matter. Every moment the rains came thereafter, she remembered the drums. And of course they remembered her, too. Goodnight, Noel.